In a small clear box, Etsuko Ichikawa keeps a small piece of vitrified glass that was given to her on a tour of the Hanford nuclear site.
This vitrified glass encases radioactive material before it is disposed of through burial. As an artist trained in making glass, this object becomes something of a totem for Ichikawa, who turns her eye towards nuclear legacies,environmental degradation, and human impacts on the environment.
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