In this episode, Mike and Dan talk about 16-track recording; how it opened the door for the close micing of drums and eliminated the need for internal bouncing, allowing for the preservation of multiple, 1st generation drum tracks.

In this episode, Mike describes the 'genius' of Dave Bryson's little 8-track sketchpad setup, and Dan remembers his 8-track sequencing setup. Then Mike describes how he used tape splicing techniques to maximize his mixes and how they eventually led to him getting a major label record deal.

In this episode, Mike and Dan finish their conversation about 4-tracking, focusing on Dan's first major soundtrack gig, the (1986) cult classic, Sid & Nancy. Then they begin the first of a 2-part chat on 8-tracking.

In this debut episode, Mike and Dan introduce themselves and discuss the role of the music producer. Then they talk about the craft of 4-track recording and how, as an art form of its own, it served as a tool that helped them develop their early production skills.