Synopsis Based on the 1976 novel by Anne Rice, Interview with the Vampire: The Vampire Chronicles tells the autobiographical story of a Vampire named Louis de Pointe du Lac (played by Brad Pitt) being turned and taught by the vampire Lestat (Tom Cruise). They are just very good vampire friends and totally not gay.  After becoming a vampire, Louis discovers he has great powers, and uses them to have the poutiest mouth and become as emo as possible. He makes a lot of friends along the way, including Kirsten Dunst playing a pedo’s dream, as well as Zorro. Review of Interview with the Vampire (1994) This is probably my favorite vampire movie, so I’m biased, but I still think it holds up. It focuses on the coolest part of the vampire stories, the vampires, and gets rid of the pesky humans. This is also probably one of my favorite roles of Tom Cruise. His playfulness and arrogance as Lestat carries the majority of the movie.  Kirsten Dunst also puts in one of the greatest performances of her career as a convincing forty year old in a child’s body. Brad Pitt is the only one that upon rewatching becomes less interesting every reviewing. There’s really nothing for him to do other than pout and look pretty. But granted, he does that very well here. What the film does best is maintain a vibe of sexy morbidness.  Seeing this in my youth, I was distracted by the boobs in this movie, and only now realize how extremely gay coded the film is. Louis’s alternating between reveling in being a vampire and being shamed by it really represented what it must have felt like to be gay in the early 90s. The director Neil Jordan had just come off of directing The Crying Game and was really at the peak of his powers. Looking at his IMDB page, it’s only been downhill from here.  Stan Winton’s special effects and makeup is perfectly understated and makes the vampires seem otherworldly and the killings properly visceral. A lot of stars aligned with this film and I still think it stands the test of time. If you want to watch a bunch of sexy vampires almost kissing, this is the movie for you. Score 10/10

Synopsis A couple embarks on a journey across the country for their five year anniversary. After their car breaks down in the middle of nowhere Oregon, they have no choice but to stay in a cabin in the woods. When Ryan, played by Froy Gutierrez, runs back into town to grab something he forgot out of his car, Maya played by Madeline Petsch starts hearing and seeing strange things in the cabin, almost like someone else is in the house. Review of The Strangers Chapter 1 I really hated this movie. Like, really hated. I didn’t really know what to expect, but taking what didn’t work from the original and even at some points taking direct lines and situations from the original and cramming it into the already too long 90 minute run time was atrocious. I don’t know if I was just tired, but I almost fell asleep at multiple points due to boredom. At the beginning of the movie, there is text on screen that says this movie will show us one of the most brutal crimes committed in America. I will tell you, I have seen worse things on Twitter in the past week. The writing is terrible, it plays like a crappy ripoff of a Wayans Brothers film, I seriously laughed at a lot of points that were not supposed to be funny out of pure hatred. The two main characters who are supposed to be in a five year loving relationship have zero chemistry. Every action they take in trying to survive is the dumbest route they could have chosen. I really really hated this movie. It was bad. It degrades the masterpiece that is the original, and I mean that. The original is an incredibly scary and moving horror film, and this one shits all over it. I walked out of the theater chuckling to myself. Score 2/10

Synopsis Arachnophobia is a movie about Ross, a doctor who moves with his family to a rural town to take over the practice of the town doctor. When a Venezuelan spider arrives in the town through extremely unlikely circumstances, Ross must unravel the mysterious deaths in the town as killer spiders ravish the community. The townsfolk are dropping like flies, and it seems like the only hope for this city is a ragtag team of spider experts/doctors/exterminators/interns. Will they overcome the eight-legged hoard? Or will they be consumed by the hellish nightmare that is the common house spider? Review of Arachnophobia Arachnophobia is directed by Frank Marshall from a screenplay written by Don Jakoby and Wesley Strick. Starring Jeff Daniels as Ross and John Goodman as the exterminator, this movie gives a goofy and fun story that scares me to no end. I couldn't get past a single scene without checking to see if there was a creepy crawly on my body. This movie is entertaining and enjoyable to watch, even for an arachnophobe like me. The story feels improbable, but not so far-fetched that the average spider hater won't feel incredibly uncomfortable in their own home for weeks after watching. Score 8/10

Synopsis A group of friends rent a mansion to celebrate one of their birthdays and run out of alcohol. In their search around the house for more booze they stumble upon an old hand painted tarot deck and Haley, the friend who can read tarot cards, reads all of their horoscopes. Then chaos ensues as they start being killed one by one by the embodiment of the ruling cards in their individual readings. Review This movie isn’t the worst thing I’ve ever seen but it is also not very good. I did like the costumes and effects of the tarot card creatures, there were a few funny lines (and by a few I mean two), but the script and acting was definitely lacking, leading it to be predictable and a bit silly in a bad way. I was worried that this movie was going to be very offensive toward tarot as a whole, but it took a different direction than I had originally thought, but it still wasn’t perfect either. I wasn’t fully entertained, I scoffed at a lot of moves the characters made, but I wasn’t completely bored either.  Score 4/10

Synopsis The Birds is a romantic comedy turned aviation nightmare. When the rich socialite and practical joker Melanie runs into a charming lawyer named Mitch in a bird shop, she does the creepiest thing ever and tracks down his name and address. After driving hours to get to his weekend home in a small town called Bodega Bay. As Mitch and Melanie slowly but surely fall in love, the birds in the area seem to be going crazy and possibly waging a Planet of the Apes-style war except in this movie, the apes are birds. Eyes are plucked out. Hair is messed up. They kiss. What more could you ask for?  Review of The Birds The Birds, directed by Alfred Hitchcock, is a movie that cant really surprise you in any way. It's basically exactly what you would expect it to be, a movie about birds that attack people. Melanie played by Tippi Hedren is annoying at times, but her creepy love for Mitch played by Rod Taylor is enjoyable enough to keep me engaged with the film. For me, it almost seemed random how the movie would be focusing on the relationship that building between these characters, and them some bird would just swoop out of the air and attack. There isn't a lot of buildup or explanation about why the birds are attacking. In fact there is even a moment where the characters meet a bird expert, which would have been a good time to maybe give some information about why all this might be happening, but the bird expert somehow is completely wrong about everything she says, making me wonder why they even included that scene at all. In the end, it is a fine movie that kept me engaged enough throughout most of it but not really anything special to me.  Score  6/10

The newest horror movie Abigail from the guys that directed Ready or Not and the latest Scream movies, is in theaters now. Despite the trailer spoiling everything, it's still a fun ride. Synopsis An elite operative team is assembled to kidnap a billionaire’s 12 year old daughter for ransom. They soon realize that they are in over their heads once it’s revealed the little girl played by Matilda’s Alisha Weir, is actually a centuries old vampire. Wacky hijinks ensue. Review of Abigail I had a mix of high expectations and low expectations going into this film. While the director’s filmography included Ready or Not, one of my favorite recent horror movies, the trailer pretty much gives away the whole plot, and had low quality Blumhouse vibes. I ended up really liking the movie. It’s going to be one of those movies that the less you know about it the more that you’ll like it. It establishes a micro subgenre of switcheroo vampire movies with From Dusk Till Dawn.  The film starts out as a typical heist thriller that knowingly points out the cliche archetypes of the assembled team, then quickly subverts them by giving them slightly more depth.   The titular character Abigail seems a completely innocent victim, but there is something off about her that makes you ask, is this bad child acting, or is this character hiding something? It ends up being both. While the movie is fun, there aren’t many super memorable moments, and plays out largely as you would expect.  The film loses something in the end with a twist that seems sudden and unearned when allegiances are changed in arbitrary ways. Score 7/10

Synopsis Creep 2 continues the story of Aaron, played by Mark Duplass, a serial killer who posts want ads on craigslist seeking documentarians who inadvertently film their own murders. Sara, played by Desiree Akhavan, has a failing Youtube show and decides to take Aaron up on his offer. Throughout her documentary of Aaron, she empathizes with him and barely believes him while he swears he’s a serial killer. On the other hand, Aaron seems like he has finally found his match. Will he kill her? Will she kill him? Is this the end of the craigslist serial killer as we know it? Review of Creep 2 Creep 2 is one of those sequels that actually gives a fresh look on the original. It does not repeat overdone tropes or follow the same story line whatsoever. This movie could stand alone and it still makes sense, and would still be very effective. There are funny one-liners, there are jump scares, there is a bad ass woman who won’t take any shit. This is not your typical killer chases victim movie. Besides the original, this movie is a fresh take on found footage horror, which is my favorite genre. It is excellent, it pulls all punches, and it takes you on a very adventurous ride. This truly is an exceptional feat of horror movie making as we know it. Creep was good enough, inventive enough, but this sequel takes it to a whole nother level. My only few complaints are that there could have been more fleshing out of Sara, since she is the central character, and I think knowing what’s gonna happen upon rewatching makes it a bit less effective. Other than that, it’s pretty damn good. Score 8/10

Synopsis The First Omen is a catholic horror movie and prequel to the movie The Omen. Maggie or Margaret is a catholic sister who moves from the United States to work in an all-girls orphanage and take her vows as a nun. While there she takes to a troubled girl named Carleta who seems to be slipping through the cracks of the orphanage while the other nuns consider her a lost cause and disturbed child. As she learns more about Carleta’s past Maggie struggles to protect her from the church which seems to have a sinister plan for her. The devil is involved. It's a whole thing. The First Omen is directed by Arkasha Stevenson who co-wrote the movie with Tim Smith and Keith Thomas. Nell Tiger Free stars as Margaret and gives a stunning performance as a young nun.  Review of The First Omen The first omen is everything that Immaculate wishes it could be. It's dark and sinister, giving a fresh and incredibly disturbing take on catholic horror.  The movie is long, which I am known for being a critic of, but I didn't check my watch once during this two-hour-long movie. Its shocking without being distasteful, and Nell Free’s character Margaret is a delight to watch and gives a performance that I think will be studied and copied by many possession movies to come. Even with some of the seemingly out-of-nowhere revelations that keep the plot moving I enjoyed each twist and turn. Its scary, it's disturbing, and it's fun.  Score 8/10

Synopsis This movie, directed by John Harrison, is based off the TV series of the same name. It follows a wraparound story about a kid that is going to be cooked by a woman who kidnapped him, and he tries to get out of it by telling her stories from the titular book. This movie is an anthology, with one wraparound story and three tales from the darkside, filled with frights, fun, blood, and gore. Review of Tales From the Darkside: The Movie This movie is very 1990. The style, the gore remind me of late 80s early 90s horror. I have never seen the TV show, but I can see how this film could be nostalgic to those who grew up in the 80s and had a knack for horror movies. It’s always a hit or a miss when a TV show becomes a movie, but in this case, I think it is a romp. It’s fun, the gore is good, but it’s not very scary. With a 93 minute runtime and a star studded cast, I don’t think you could go very wrong with this movie. With all anthologies though, there are going to be stories within the film that are not very good, and this movie is no exception. All in all, it is a fun time. I didn’t hate it. If it wasn’t so predictable, I would give it a higher score, but it’s very average and that is okay sometimes. We don’t wanna watch the best movie of all time every single day. Score 5/10

Synopsis Night of the Living Dead is a zombie movie about a group of strangers who are funneled into a farmhouse and forced to work together for survival. Ben, our protagonist played by Duane Jones is a strong and courageous man who takes it upon himself to lead the group as they struggle to escape the zombie hoard entrapping them in the home. Through twists and turns they learn that friendship was what they really needed all along. Review of Night of the Living Dead Night of the Living Dead is a foundational horror movie that deserves to be a classic. It has a classic zombie movie feel and did a lot to inspire zombie movies in the future. Despite my enjoyment of the film, there are still points in the movie that feel slow, and the dialogue seems to repeat itself a lot when trying to explain the situation. The makeup isn't always very convincing, at least not compared to modern zombie movies, but it's almost refreshing to see zombies that aren't completely covered in blood and gore. Duane Jones gives a fantastic performance as Ben, and it's easy to root for his strong character. Judith O’Dea’s acting is a little over the top for me at times, and her character becomes pretty annoying, but hey maybe if I was in a zombie apocalypse I'd be just as scared and useless as her.  Score 8/10

Immaculate, starring Sydney Sweeney is the new religious horror film that we’ll be reviewing today, and it goes hard at the end, so stay tuned. Synopsis Immaculate tells the story of a young American woman with heavy naturals named Cecilia joining a convent in Italy. It’s slowly revealed to Sister Cecilia that the convent isn’t as immaculate as it seems. The priest and other nuns seem to have ulterior motives for bringing Cecilia there. Once she discovers the convent’s dark and mysterious secrets, it’s too late. She be pregonate. Review of Immaculate Immaculate is a Catholic horror movie that somehow avoids all the tropes associated with that label. There’s no exorcism, no devil, and not even a  strong supernatural element. This subversion of expectations alone makes it an interesting horror movie. Structurally, the film is sound, but it feels more like a framework and not fully fleshed out. The themes and implications of the story aren’t fully explored. There is a lot of fertile ground here, in terms of exploring faith, devotion, obedience, and authority that are only skimmed over.  I wasn’t a big fan of Sydney Sweeney's acting in the first half of the film. Her demeanor and vibe brought too much 21st century ambivalence for a character that is essentially a religious zealot. However, she won me over with her acting in the latter half of the film. The film goes pretty hard with the gore and body horror, but what else would you expect from a movie about pregnancy? We are given an early taste with a graphic leg breaking scene in the prologue, and the final moments of the film are some of the most visceral that I’ve seen in a while. The worst and most distracting element of the film was the sound. The score was terrible, and felt like it was out of a low budget student film. The Foley sound was almost comical with prolonged and impossibly loud creaks and squelches. Score 7/10

Synopsis Two American tourists David and Jack are hiking through Europe when they are attacked by a giant wolf in the northern moorlands of Britain. A month later during the full moon, David turns into a werewolf. But not any ordinary, this one is louder, friendlier, individualistic, and more confident than British werewolves. It wreaks havoc on London, biting and slashing through town while being openly patriotic. Review of An American Werewolf in London An American Werewolf in London is a classic 80’s horror movie that stands the test of time. Director John Landis brings the humor he is known for from Animal house and Blues Brothers, and combines it with the horror that he brought to behind the scenes of Twilight Zone: The Movie. The cast of relative unknowns David Naughton and Griffin Dunne bring a convincing casualness as college friends, and really sell the humor. The real star of the show is Rick Baker’s practical effects, and the werewolf transformation stands as the gold standard of metamorphoses on camera. While the film does have humor, I would more describe it as casual. Which is a great contrast to the gory violence and disturbing dreamy jump cuts that pop out at you throughout. The film isn’t too ambitious and keeps the plot to a basic monster movie reminiscent of the old universal horror movies, but it is spiced up with quirky 80’s flavor. Score 10/10

Synopsis Imaginary is a PG-13 horror film about Jessica, an artist and author who recently married Max and joined his family, becoming a stepmother to two girls. When Jessica’s father is moved into a retirement home, the family moves into Jessica’s childhood house in hopes of finding a fresh start. As the family settles in, the youngest daughter, Alice, appears to have a new imaginary friend whom she spends all her time talking to. The family soon finds that this new friend is anything but imaginary as it begins to wreak havoc on the household. The movie is directed by Jeff Wadlow and written by Wadlow, Greg Erb, and Jason Oremland. Review of Imaginary This might be one of the worst movies I've ever seen. The script is not subtle at all, and none of the characters talk like real human beings. It's almost like the writers knew what they wanted to tell the audience but had no idea how to convey their thoughts other than having the characters say them outright. The acting ranges from okay to downright awful, and somehow the best actor of them all might have been Piper Braun, the actress who plays the little girl. The movie could have been a tight hour and 20 minutes but chooses to drag on another 25 minutes at the end, making it feel like you've been in the theater for hours. Still, despite all my criticisms, there were a couple of scenes that I enjoyed, so I can't fully commit to giving this movie a 1.  Score 2/10

Synopsis When a single dad who owes child support decides to rob a rich family’s home while he thinks they’re on vacation, he unexpectedly gets locked inside of a major house of horrors, with a sadistic mask wearing man who has already decided to wreak another kind of havoc on this family’s home. Review of The Collector The Collector (2009) is a quintessential aughts horror film. The quick cuts, the over the top gore, the good guy who is actually kind of seedy but has a good heart protagonist, the Saw-like green glow of some of the scenes is representative of the era it came out into. This movie came out the same year as Jennifer’s Body, The Human Centipede, Drag Me to Hell, Dead Snow, The Uninvited and many more very famous and quite renowned horror films. Although the critics didn’t like this one, with a 29% on Metacritic and Rotten Tomatoes, I think that this movie deserves some love.This movie is definitely a hidden gem, with only a $3 mil budget, compared to other horror from the same year, with budgets as high as $30 mil. Even though critics hated it, it was a box office success, grossing over $10 mil. It’s fun, it’s inventive, there are a lot of unexpected twists and turns that keep you captivated. Although it isn’t the best movie I’ve ever seen, it has rewatchable value and it has a pretty great sequel, The Collection. If you like gore, if you like interesting kills and action packed scary movies, this one's for you. Score 7/10

Synopsis A cop named Daniel drives an injured man to an understaffed hospital after he finds him bleeding in the woods. Upon arrival, Daniel realizes this will not be just another day on the job as he is quickly forced to draw his weapon on a nurse, who attacks him in a manic rage. Before Daniel can call for help, the hospital is surrounded by unknown figures in hoods who won't come inside, but won't let anyone leave either. Wackiness ensues. Silliness abounds.  Review of The Void The Void is some sort of hodge-podge that pulls from many different movies, creating a wild ride that barely gives the viewer time to breathe. The creature designs remind me of a monster you might have to fight in a doom video game, which is definitely a good thing, and the acting is for the most part, pretty good. Some of the twists and turns this movie takes feel a little forced to me, coming out of nowhere with what seemed like zero foreshadowing, yet instead of feeling shocked and blindsided I kind of just was like, “Oh okay. I guess that's happening now”. I couldn't tell if the movie was trying to say something about pregnancy, miscarriages, and losing a child. It seemed a little like it was, I just dont know how losing a child connects to triangles, pyramids, and drug-fueled sex binges, but that's just me. Overall it's an interesting movie, worth a watch but not a must-see for me.  Score 7/10

Before X and Pearl, Ti West brought us this 70's horror callback. Synopsis Twelve years before the success of movies X and Pearl, Ti West’s first breakout feature film The House of the Devil was released. This film follows Samantha, played by Jocelin Donahoe, a broke college student trying to find a new apartment to get away from her annoying roommate. She finds a job posting that just says “Baby$itter wanted” and decides to give it a shot. After she gets into contact with a robotic creepy disembodied voice on the phone about the job, she decides to take it and have her friend, director of Barbie, take her to the house. Once she arrives to babysit, she realizes that this is not a typical babysitting job, and everyone who lives in this house is off their rocker. But, they’re paying her four times more than she asks for, so she decides it’s worth it. A scary old house in the middle of nowhere while caring for a supposed elderly woman that likes to keep to herself, where her only contact with the outside world is the pizza man, on the night of a lunar eclipse, what could go wrong? So much more than Samantha could have ever thought. Review of The House of the Devil After loving X and Pearl, I decided to give Ti West’s first movie a shot, and I was not disappointed. Like X and Pearl, Ti West’s editing and direction of the film is something to be revered, with his jump cuts and long shots and bone chilling zooms and set dressing, this makes for a good horror movie. It has everything a horror fan would want: pretty girls, lots of blood, a good setup for scares, a creepy attic, a weird old lady, satanic rituals, a friend who doubts the validity of the situation, and a final girl. It is shot on 16mm which gives the film a vintage horror feel, the way it was filmed and the story that was set up kind of reminded me of the original Black Christmas. Even the main characters looked alike. It is a bit slower to get into the action, but you know once you’re in it you’re in for a treat. All in all, this film is good, it is scary, it is artful, and I love seeing how directors started and how they have grown since their first films. I loved every second of it. I was scared, even upon the second watch. Score 9/10

Critics are split on this new movie from Zelda Williams and Diablo Cody, but We're nearly unanimous, Lisa Frankenstein is a good time and you should go see it in theaters. Synopsis Set in the late 80’s, Lisa is the weird new girl in school dealing with the grief of her mothers death and life in a new family with a wicked stepmother and kind of nice yet condescending stepsister. She spends her free hours talking to herself and pining for love in a Bachelor’s cemetery, which is totally a thing. She has the hots for the editor of the school newspaper, and while chatting with him at a party, she drinks a spiked drink and goes into a psychedelic trip during a thunderstorm. Using 80’s logic, the lightning resurrects Lisa’s favorite grave resident unbeknownst to her. From there, it’s that age old tale of the goth girl that keeps a reanimated corpse in the friendzone while they murder people for parts.  Review of Lisa Frankenstein Lisa Frankenstein is a mess, but it’s a fun mess. As of recording, it sits at a solid 50% critics score on Rotten Tomatoes, and I’m honestly not surprised. I predict this one will be divisive, but could ultimately become a cult classic from it’s bizarre campy charm. The premise feels straight from the early filmography of Tim Burton, but unlike Burton, the freshman director Zelda Williams struggles with keeping a consistent style and tone throughout the film. Her background is in music videos, and it really shows in some of the narrative style of the movie, which relies heavily on visual shorthand more than hard earned character development and cause and effect. The script written by Diablo Cody of Juno and Jennifer’s Body fame is the highlight of the film. It taps into a level of snarky and campy humor rarely seen outside of 80’s teen romcoms. Like her other scripts, this one features sharp dialogue and amusing non-sequiters from supporting characters that makes the world fun to watch. The acting is great. Kathrine Newton who plays Lisa shifts from weird nerd to self assured goth murderess with aplomb. Cole Sprouse does great with comedic timing as the mute creature. Liza Soberano walks the line between condescension and likability really well as the step sister. Carla Gugino was the best at bringing the appropriate amount of camp to the stepmother. The main flaws in the movie are the disjointed tone and the arbitrariness of the plot. It would have been nicer to have more effort put into the setups for the major plot shifts and character changes. Without properly establishing cause and effect, the movie can feel confusing. But here’s the thing. With all the nitpicks I could pick at, I was smiling and chuckling throughout the whole movie. I thought it was a blast, and I give it a lot of points for originality.  Score 8/10

Synopsis Four petty criminals who film their violent crimes are strapped for cash, so they find a job to break into a creepy old house to steal a mysterious VHS tape. Once they’re inside, they slowly realize that this excursion might not be worth the money, as there is a dead man waiting for them in front of a wall of TVs and about a hundred tapes to go through. As they watch them, we see the tapes from their point of view and get to see what scares are in store every step of the way. Review of VHS VHS is a 2012 film with nine directors, with the most notable being Ti West (of X and Pearl), David Bruckner (The Ritual, The Night House), Adam Wingard (You’re Next), Matt Bettinelli-Olpin and Tyler Gillet (Ready or Not and Scream 2022). This gaggle of directors comes together to launch their careers through five different tapes plus the main backdrop storyline to create a classic anthology film that sparked a franchise. This movie is included in the mumble-gore movement of the late aughts and early 10s, and perhaps is the most famous to come out of the genre. I have seen this film no less than six times, and while I rewatched it for this episode I realized that I knew it so well that I probably didn’t have to watch it again to recount it beat by beat and give it a score. To me, this is a modern horror classic. I really enjoy this movie, how it switches from a slowburn creep out to a ghost story to a slasher and so on. I think it is a great movie to get you into horror, it is a great movie to revisit, it is a great movie period. I am thoroughly entertained through every part of it, and even though not every tape is my favorite, I think all of it is very effective as a scary movie and I love the ambiguous ending. To quote my boyfriend when I told him what movie we were reviewing, “Oh so it’s a true syd classic.” It might be nostalgia, it might be the genotype, but whatever it is, I really love this movie.   Score 9/10

Synopsis Suspiria (1977) (not to be confused with Suspiria 2018) is a movie about a young American woman named Suzie who relocates to Germany to join a prestigious dance academy. As Suzie begins to adjust to her new life, she stumbles into a world of conspiracy that seems to surround her school and the dance instructors. People start to go missing while Suzie and her friend Sara attempt to put the pieces together. When the school's staff start to show their true colors, Suzie must investigate the history of the academy before whoever is murdering the dancers makes her the next target. In the end, they all get more Suspiria than they bargained for.  Review of Suspiria (1977) Suspiria is directed by Dario Argento and stars Jessica Harper as Suzie. The movie, now considered a horror classic, uses unconventional lighting and color, which gives the movie a unique feeling and adds to the suspenseful atmosphere. The dialogue is kind of goofy at times, but to me, that is part of the charm. My problem with Suspiria is that with a run time of only an hour and 40 minutes, it somehow feels like a 2 hour + movie. The scenes drag on, probably to linger on the beautifully designed shots, and the plot is minimal compared to the 2018 remake, which expands on and adds ideas to the original. However, I say all of that just for the sake of being critical. I actually really enjoy this movie.  Score 8/10

What is this Horror Movie Talk+? This is a Patron pick, and we were more than happy to cover this Martin Scorsese thriller. Synopsis Shutter Island is directed by Martin Scorsese and stars Leonardo DiCaprio as Teddy Daniels, a rough-and-tumble U.S. marshal who doesn't play by the rules. His partner, Chuck, played by Mark Ruffalo, also doesn't play by the rules, but he is a little less rough and tumble about it. The two of them are assigned to investigate a missing person at a prison for the criminally insane located on a remote island. As the Duo look further into the mystery, they reveal more questions than answers, and it seems like no one is telling the truth.  Review of Shutter Island A lot happens in Shutter Island, and every scene feels like it is packed with symbolism and clues. Although I am not usually a fan of movies over two hours long, Shutter Island kept me engaged the whole way through, other than a few dream sequences, which I felt went on a little too long. The characters have deep and disturbing histories and it is fun to watch the whole mystery come unraveled. For a smart person who pays attention, the twist may seem obvious the whole way through, but that was not my experience at all. I was so confused the whole movie, and every attempt at filling me into what was really going on went right over my head until the pieces finally clicked together in the end and I felt like a big idiot for not seeing it sooner. It's enjoyable, its weird, it's dark, it's thought-provoking, and the performances are great.  Score 9/10