An Afternoon with Artform a discussion with the cast and theatre production team.

ARTFORM

Ever wondered what goes into putting on a  theatre show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

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Episodes

Sweet Charity
Aug 10 2023
Sweet Charity
A discussion with the cast and production team about Artform's  production of Sweet Charity  performed at the Broadway Studios Theatre in SE London.Charity Hope Valentine always tries to look on the bright side of life, despite working in a rundown dance hall and contending with a seemingly endless run of bad dates. Determined to find love, Charity falls for suave actor Vittorio Vidal, but their romance is all too brief. However, when Charity finds herself stuck in an elevator with the reserved Oscar Lindquist, it turns out that she may have finally met her match.Cast & CreativesClaire Goad                                  Charity Hope ValentinNathan Pollpeter                      Oscar LindquistRochelle Bisson                         HeleneDanielle Dowsett                      NickieJenni Dash                                    CarmenNatalia Wigley                            BetsySteffie Croxson                          Suzanne/RosieCharlotte Summers                 Frenchie/Ursula MarchChris Arden                                  HermanMichael Flanagan                      MarvinAneurin Pascoe                          Vittorio VidalPaul Stone.                                     Barney/Doorman/Waiter/ManfredKemal Ibrahim                             Daddy BrubeckSheila Arden                               DirectorJohn Hargreaves                       Musical DirectorCaroline Essenhigh                  Choreographer   Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
Ageing in the Theatre: Advantages and Disadvantages for Actors
Jul 13 2023
Ageing in the Theatre: Advantages and Disadvantages for Actors
Artform discuss  Ageing in the Theatre: Advantages and Disadvantages for ActorsSynopsis:"Ageing in the Theatre: Advantages and Disadvantages for Actors" explores the unique challenges and opportunities that come with advancing age in the theatrical world. This synopsis provides an overview of the advantages and disadvantages experienced by actors as they navigate the ageing process within the realm of theatre.Advantages:1. Depth of Experience: One of the significant advantages of ageing in the theatre is the accumulation of life experience. Older actors bring a wealth of personal and professional experiences that can add depth and authenticity to their performances. Their maturity and understanding of human emotions can enhance their portrayals, particularly in complex roles.2. Versatility: As actors age, they often develop a broader range of roles they can convincingly portray. While youth-centric roles may become less frequent, older actors have the opportunity to explore a wider variety of character types, including seasoned mentors, wise advisors, or even iconic historical figures. This versatility allows for continued engagement and artistic growth.3. Authority and Presence: Ageing actors often possess a commanding stage presence and a natural authority that can captivate audiences. Their gravitas can lend credibility to roles requiring leadership, wisdom, or profound life experiences, further enhancing their performances.Disadvantages:1. Limited Opportunities: One of the challenges of ageing in the theatre industry is the decreasing availability of roles specifically tailored for older actors. Many plays and productions tend to focus on younger characters, which can result in a diminished pool of opportunities for actors as they grow older. This lack of representation can be disheartening and limit the potential for continued growth and artistic expression.2. Physical Demands: Theatre performances can be physically demanding, requiring stamina, agility, and the ability to handle rigorous schedules. As actors age, they may encounter challenges in meeting these physical demands, affecting their overall performance quality and potentially limiting the types of roles they can pursue.3. Industry Bias: The entertainment industry, including theatre, can be influenced by age-related biases. Ageism exists in casting decisions, where older actors may face discrimination due to societal preferences for youth or outdated stereotypes. Overcoming these biases can be an additional hurdle for aging actors, impacting their career prospects and overall job satisfaction.In conclusion, "Ageing in the Theatre: Advantages and Disadvantages for Actors" sheds light on the complex dynamics faced by actors as they navigate the process of ageing within the theatre industry. While aging brings certain advantages, such as depth of experience, versatility, and stage presence, it also presents challenges like limited opportunities, physical demands, and industry biases. Understanding these factors is crucial for actors to adapt, embrace new roles, and continue to contribute their valuable artistry to the theatrical landscape.
Merrily We Roll Along
Nov 16 2022
Merrily We Roll Along
A discussion with the cast and production team about Artform's  production of  Merrily We Roll along performed at the Broadway Studios Theatre in SE LondonSYNOPSISBased on George S. Kaufman and Moss Hart’s 1934 play of the same name, Merrily We Roll Along follows the successful career of Broadway composer turned Hollywood producer Franklin Shepard backward in time. Throughout the course of the show, during which time regresses from 1976 to 1957, we learn how Frank accomplished this - with the help of his best friends Charley (who writes the books and lyrics) and Mary (who is a writer in her own right and is always around for support and guidance). The trio of friends are inspired to become big players in American musical theatre and book writing and to “change the world” after witnessing the Russian Sputnik, the first artificial satellite, orbiting the earth on a cold October night. However, over time, Franklin learns what the cost of fame and fortune is, losing and alienating his beloved friends and family along the way and giving up his original dreams for ones with more financial and fewer emotional benefits. Those who began the journey with him do not end up at the end of it with him, and though Franklin has fame, fortune, and success, he ultimately realizes that he has left himself with nothing of any value.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
Blood Brothers
Nov 2 2022
Blood Brothers
A discussion with the cast and production team about Artform's  production of  Blood Brothers the Play performed at the Broadway Studios Theatre in SE London.Blood Brothers play with book, lyrics, and music by Willy Russell. The story is a contemporary nature versus nurture plot, revolving around fraternal twins Mickey and Eddie, who were separated at birth, one subsequently being raised in a wealthy family, the other in a poor family. The different environments take the twins to opposite ends of the social spectrum, one becoming a councillor, and the other unemployed and in prison. They both fall in love with the same girl, causing a rift in their friendship and leading to the tragic death of both brothers. Russell says that his work was based on a one-act play that he read as a child "about two babies switched at birth ... it became the seed for Blood Brothers."Director - Pete WattsAssistant Director - Shelia ArdenThe CastMicky - Adrian MorrisseyEddie - Peter FioriniMrs Johnston - Leigh JoyceMrs Lyons - Louise HawkinsLinda - Laura AshendenEnsemble - Cindy Dobberson, David Cutler, Lydia Porter, Marston York. AcknowledgementsProduction Manager - Chris ArdenSound Design - Ben EssenhighLighting Design / Technician- Martin TerryStage Manager - Shelia ArdenCostumes - Artform, Theatre 62Wardrobe- Paul Stone, Shelia ArdenProps - Paul Stone, Shelia Arden, Mara Boyd HindBox Office -Chris ArdenFront of House - Robin KellyStewards - Friends of ArtformProgramme & Publicity - Caroline EssenhighEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
The Elephant Man
Jun 19 2022
The Elephant Man
A discussion with the cast and production team about Artform's production of  A discussion with the cast and production team about Artform's production of The Elephant Man at the Broadway Studios Theatre in SE London.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk the Broadway Studios Theatre in SE London.Artform.org.ukSynopsisIn 19th Century Victorian England, Dr. Frederick Treves wanders through an urban carnival in search of freak shows. He happens on a hideously deformed creature called The Elephant Man, and pays the owner Mr. Bytes to examine it. Treves purpose is to present a paper to the Pathological Society and enhance his medical reputation.The Elephant Man returns from the seminar to Bytes and is beaten severely for wondering off. The man's injuries, as well as an attack from bronchitis, leads Treves to admit him to the hospital. In an attempt to convince the authorities to allow the man to stay, Treves endeavors to communicate with the person. During a meeting, Treves discovers that the man can talk and is educated. The Elephant Man's name is John Merrick and he reveals that he has had this strange disease since he was 14 which benign tumors grow all over his body, face and hands, in which he must sleep sitting up or he will die from suffocation. Merrick is given a room to live in and gradually becomes accepted by most members of the hospital staff. But one hospital night porter sees a money spinner and each evening gathers a drunken crowd of people who will pay any price to see the freak.Treves attempts to introduce Merrick to London society and brings him over to meet with his wife, who hides her shock at Merricks appearance. Soon the local newspapers run articles on Merrick. One is read by actress Mrs. Kendal who visits Merrick, tells him about her life in the theatre and gives him a copy of Shakespeares plays.However the night porter is still in business in displaying Merrick. One evening, Bytes joins the throng and after a particularly humiliating brawl, kidnaps Merrick and takes him to France. Severely neglected and very ill, Merrick is once more put on display as the Elephant Man for the local crowds. Bytes' son tells his father that he can take no more of seeing him humiliate a human being, but Bytes tells his son to mind his own business. That night, Bytes' son, with the help of other carnival freaks, releases Merrick and assists his escape back to England.Reunited with Treves, it appears that Merrick does not have long to live. Merrick visits the theater with Treves and his wife where Mrs. Kendal has her performance dedicated to him. Back at the hospital, Merrick thanks Treves for a splendid evening and afterwards discards all pillows from his bed, determined to lie down like everyone else. Merrick lies down and sleeps one final time before quietly passing away, where his late mother welcomes him to the bright glory of Heave.