Poor William Montague. He thought he'd have an easy time taking control of Dunbar Castle in 1338. Sucks for him that Agnes Randolph was in charge and about to find new ways to humiliate his attempts. Join Hannah and Nicola for the Season 3 Finale as they head to Scotland to find out what one woman was doing in the Second War of Scottish Independence.  Women of War is written and recorded on the lands of the Wurundjeri People of the Kulin Nation. We pay our respects to their Elders, past and present, and any First Nations listeners today. Sovereignty was never ceded. This episode contains references to the crimes of English colonisation. For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com; sound effects by ZapSplat.

Like a river flows surely to the sea, as a tapestry is actually an embroidery, we’re having a format change. This week Hannah and Nicola look at the women who created the most famous fabric art in world history, the women on the most famous fabric art in world history and the story in it. There will be Williams who conquer, Edwards who confess, and Harolds who get hit in the eye with an arrow….or was he? To follow along with the panels of the tapestry we reference, click this link: https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/discover-the-bayeux-tapestry/explore-online/ The song “1066” can be found at the link below by the YouTube channel historyteachers: https://www.youtube.com/watch?v=TETr5xkgTz4 Women of War is written and recorded on the lands of the Wurundjeri People of the Kulin Nation. We pay our respects to their Elders, past and present, and any First Nations listeners today. Sovereignty was never ceded.  This episode contains references to war crimes including rape, stroke, nudity, cruelty and death of animals. For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com; sound effects by ZapSplat.

Everything you learnt about Truganini in school is wrong. This week, join Nicola and Hannah as they look between the lines of Australian colonialism to trace the story of Nuenonne woman Truganini, a woman who lived through the unimaginable. And became a bushranger. Which was a valid life choice. Women of War is written and recorded on the lands of the Wurundjeri People of the Kulin Nation. We pay our respects to their Elders, past and present, and any First Nations listeners today. Sovereignty was never ceded.  This podcast contains references to violence and atrocities committed against Indigenous men, women and children in Australia over the course of the last two hundred years. It also contains references to disease, sexual coercion and sexual slavery, pedophilia, murder, execution, robbery and desecration of the dead. It also contains the names of Indigenous people who have passed away. It also contains some coarse language. It may not be suitable for all listeners. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. The views presented herein are also not reflective of our employers. For a far more thorough exploration of Truganini's life, read Cassandra Pybus' Truganini: Journey Through the Apocalypse (2020). Hannah relied heavily on this thoughtful work to bring Truganini to the front in this episode.  For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com; sound effects by ZapSplat.

Ten bucks to anyone who can name an Australian war poet (who hasn't got a literature degree). This fortnight's episode looks at the venerated poet, committed communist and radical racist, Dame Mary Gilmore, who wrote some of Australia's best known (?) poems (?) throughout World Wars I and II, and did a lot of shouting about socialism during the Cold War years. Also contains sledging of various Australian politicians, ruminations on the Australian Communist Party and talk about crocodiles. Enjoy! (Nicola never did check if Mary Gilmore's siblings served in World War II). This episode of Women of War was written and recorded on the stolen lands of the Wurundjeri people of the Kulin Nation. We pay our respects to their Elders, past and present. Sovereignty was never ceded. This episode contains references to genocide, racism especially in the context of the White Australia policy, domestic violence, alcoholism, discussion of suicide, and people being eaten by crocodiles. It may not be suitable for all listeners. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. The views presented herein are also not reflective of our employers. For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com; sound effects by ZapSplat.

Finally, an episode where we know some things about a woman! Maybe too much. Join Hannah and Nicola as they learn about Doña Manuela Sáenz de Vergara y Aizpuru, the Ecuadorian woman who worked to free South America from Spanish colonisation. Put on your best colonel's uniform and jump astride your horse to find out how the Libertadora del Libertador not only helped South American countries gain independence from Spain but worked alongside Simón Bolívar to build the short-lived state of Gran Colombia, saving his life twice in the process.    This episode of Women of War was written and recorded on the stolen lands of the Wurundjeri people of the Kulin Nation. We pay our respects to their Elders, past and present. Sovereignty was never ceded.   This episode contains references to to or discussion of assassination, attempted suicide, infidelity and exile. It also contains naughty language and so may not be suitable for all listeners. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.   For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode.   Read the biography of Manuela: Pamela S. Murray, For Glory and Bolívar: The Remarkable Life of Manuela Sáenz, (Austin: University of Texas Press, 2008).   Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

This week we go back to find a decent German woman, and some historical sources on her. We find neither. Though we are in Germany. But we're not actually, we're in Germania, looking at a woman who inspired an anti-Roman rebellion, and her sisters-in-arms, the prophet-women of the Cimbri, the Bructeri and other tribes. We also look at a lot of dead bodies, but alas, the Dutch did something disgusting to a lot of them so there's less than there should be. This episode of Women of War was created on the lands of the Gadigal people, and the lands of the Wurundjeri nation. We pay respects to all of their Elders, past and present, and acknowledge that sovereignty was never ceded. This episode contains references to disembowelment, murder, human sacrifice, rape, genocide and imprisonment. It also contains some rude language and may not be suitable for all listeners. For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com Sound Effects by ZapSplat.com

What do you do when you're in the middle of a naval battle against the Persian fleet in 480BCE and your ally blocks your escape? Sink the fuck out of your ally, of course. What do you do when your brother/husband dies and leaves you with a politically unstable kingdom? Build one of the Seven Wonders of the Ancient World, duh.  This week, join Hannah and Nicola as they dive into the Aegean Sea to learn about two naval queens who held their own in Ancient Greece and built legacies that have lasted two and a half millenniums: Artemisia I and Artemisia II of Caria, the women who shared a name and a naval command but probably not an ancestor.  Women of War is written and recorded on Wurundjeri land. We pay our respects to their Elders, past and present, and any First Nations listeners. Sovereignty was never ceded. This episode contains references to suicide and incest. It also contains some rude language, and may not be suitable for all listeners.  The views put forth in this podcast are not representative of our employers. All efforts have been made to ensure the accuracy of the information presented in this podcast however, with the nature of historical research, there may be mistakes or inconsistencies.  For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook, and Instagram @womenofwarpod for updates, sneak peaks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe.  Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

Welcome back (or welcome for the first time) to Women of War, and an episode with all the horrors of the Russian Revolution, the cruelties of the Tsarist regime, the horrors of the Russian Civil War, the cruelties of the Bolshevik regime AND the absence of women from the historical narrative! Yay! Let's put this woman back in the narrative, stop wasting time on tears, she (did not) live another fifty years... This episode - meet one of the most influential women in modern history, who you’ve probably never heard of. Hear about Alexandra Sokolovskaya, the wife of some mildly interesting dude originally known as Lev Bronstein, and her struggle to bring an equal and socialist state to the Russian Empire. Spoilers: It did not work. Thanks to Dorian (here’s his twitter) for voicework on this episode as the voices of Lev Bronstein and Varlam Shalamov. Dorian is a queer-, disability- and trans- rights activist and artist based in Melbourne. He also has a kofi: https://ko-fi.com/sindesiecle This episode contains references to or discussion of torture, war crimes and atrocities committed by the Bolsheviks, the Red Army, and Stalin, mass executions, starvation, anti-Semitism, frostbite, suicide, imprisonment, exile, mental illness, and murder.  It also contains naughty language and so may not be suitable for all listeners. We put this warning in for the Americans, really. And Nicola’s parents.  The views put forth in this podcast are not representative of our employers. This episode was recorded before the Russian invasion of Ukraine. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. The quotes by Leon Trotsky were taken and slightly adapted from his autobiography, “My Life: An Attempt at an Autobiography.” The Gulag quotes were lifted and edited from the Varlam Shalamov website https://shalamov.ru/en/library/34/ , which is funded in part by the Russian government (ew).  If you’re here because you’re studying Revs in VCE, nice work on looking for extra resources! Send this to three friends to gain luck from the Gods of VCAA. Wanna learn some more stuff? Check out these fun videos for primers on the Russian Revolution.  Mark Steele’s Revolution series, which kicked off Nicola’s interest in Alexandra many moons ago: https://www.youtube.com/watch?v=XP8pUEmm1RI The Complete History of the Soviet Union…to the tune of Tetris: https://www.youtube.com/watch?v=hWTFG3J1CP8 And the classic, the award-winning…the now slightly dated....Epic Rap Battle between Rasputin and Stalin: https://www.youtube.com/watch?v=ZT2z0nrsQ8o For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com Sound Effects by ZapSplat.com

What do you do with a female sailor, what do you do with a female sailor, what do you do with a female sailor, in the sixteenth century? Give her some castles, a fleet of ships, the blessing of the Queen and let her take to the seas as a fearless pirate. Join Hannah and Nicola this week as we fall in love with Gráinne O’Malley, the Irish Pirate Queen who spent decades pissing off the British in the Elizabethan Wars. There’s piracy, murder, treason, sex, court politics, English colonial wankers, and an Irish chieftain who did whatever it took to get what she wanted.    This episode was re-recorded after audio issues with the first version. If you listened to the first, congratulations and don't worry, there's plenty more new discussion here!     This episode contains references to vomiting, murder, piracy and religious persecution. It also contains some rude language. It may not be suitable for all listeners.   Women of War is written and recorded on the lands of the Wurundjeri People of the Kulin Nations. We pay our respect to Elders past and present, and Aboriginal and Torres Strait Islander listeners. Sovereignty was never ceded.   All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.    For more information on Gráinne (yes, there’s more, we were shocked too), read Anne Chambers’ biography, Granuaile: Grace O’Malley-Ireland’s Pirate Queen, C. 1530-1603.    For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode.

Sorry to get your hopes up! Enjoy the trailer for our upcoming season, and we look forward to seeing you soon!   Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

This week - our last episode of the season brings all the horrors of World War I with the additional terror of an unexplained pandemic! In this episode Nicola and Hannah discuss the gendered expectations of soldiers returning from WWI with disabilities, especially facial injuries, and the expectations of women in their lives. There’s a brief Robin Williams-diversion, and then a discussion of the work of American artist Anna Coleman-Ladd in restoring confidence to some soldiers with her delicately crafted copper masks that served to mimic the men’s pre-war faces. Thanks to everyone who listened through this season of our podcast, we appreciate every single one of you. We will be back sometime in 2022, hopefully recording together and not being hit by things falling off the desks we’re recording under. Anything for slightly better audio quality.  Thanks to Dorian (here’s his twitter) for his reading of “We Are the Maimed” and “In Flanders Fields.” Dorian is a queer-, disability- and trans- rights activist and artist based in Melbourne. He also has a kofi: https://ko-fi.com/sindesiecle This episode contains descriptions of war injuries and disability, mental illness, suicide and suicidal ideation, murder, facial injuries, pandemics and illnesses, comas, domestic violence and murder by intimate partners, and swearing. Why do we warn people about the swearing? We just don’t know.  This episode also contains discussion of medical issues. It is not intended as advice. Do not take medical advice from two historians who live with their parents, or any strangers online. Please speak to a doctor or other medical professional if you have questions about Covid-19 or vaccination.  All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. Nicola does give the wrong name for one of the writers of the 100 Stories - it’s Laura, not whatever the hell she said. She knows too many people with the surname James. Sorry Laura.  For more information on disabled and mentally ill returned servicemen after WWI, check out Shattered Anzacs by Marina Larsson, The 100 Stories by Bruce Scates, Rebecca Wheatley and Laura James, The Last Battle by Bruce Scates and Melanie Oppenheimer, or  The Cost of War by Stephen Garton. For more info on Melbourne’s Shrine of Remembrance check out A Place to Remember by Bruce Scates.  For the whole political issue of Anzac in Australia, check out What’s Wrong With Anzac, or Anzac’s Long Shadow.  Penny Marshall’s film Awakenings does not appear to be streaming in Australia. Piracy is wrong, but the film is 30 years old so good luck finding it regardless.  Footage of Anna Coleman Ladd working in her mask clinic is available in this article: https://allthatsinteresting.com/anna-coleman-ladd.    For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com Sound Effects by ZapSplat.com

Clara Barton had finally made her way to the battlefront of the American Civil War, but now what? How about operating on a soldier without training, changing the very way the War Department organised medical aid, some typhus, an extramarital affair, and setting up an office to find missing and wounded soldiers. That might be a good place to start.  Women of War is recorded on the lands of the Wurundjeri people of the Kulin Nations. We pay our respects to their Elders past and present. Sovereignty was never ceded. This episode contains references to war casualties, amputation, nineteenth century medical procedures, illness, corporal punishment, depression, and suicidal thoughts. It may not be suitable for all listeners. This episode was recorded over Zoom. We apologise for any audio issues. Our immense gratitude again to our excellent actor, Vanessa, for her voicing of Clara for this episode. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.  To learn more about the American Civil War, check out Uncivil, which brings you stories that were left out of the official history of the Civil War, ransacks America's past, and takes on the history you grew up with: https://bit.ly/2W2blXa For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

When Confederate forces attacked the American Army at Fort Sumter on April 12th, 1861, no-one could have predicted the scale of tragedy and devastation that followed in the American Civil War. Certainly not the American Government, who struggled to find the food and clothing necessary to supply the Union forces. Enter women like Clara Barton, a former teacher and clerk at the US Patent Office who had trouble sitting by doing nothing when there were people who needed her help. First she collected supplies, then she traveled to the battlefield, and then....listen now to find out.  Women of War is recorded on the lands of the Wurundjeri people of the Kulin Nations. We pay our respects to their Elders past and present. Sovereignty was never ceded. This episode contains references to war casualties, amputation, nineteenth century medical procedures, illness, corporal punishment, depression, and suicidal thoughts. It may not be suitable for all listeners. This episode was recorded over Zoom. We apologise for any audio issues. Our immense gratitude to our excellent actor, Vanessa, for her voicing of Clara for this episode. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.  To learn more about the American Civil War, check out Uncivil, which brings you stories that were left out of the official history of the Civil War, ransacks America's past, and takes on the history you grew up with: https://bit.ly/2W2blXa For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

“If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality.” -Archbishop Desmond Tutu.  “If you play at being an apolitical artist in situations of injustice, you have chosen the side of the oppressor. If you make films about the oppressor holding him as a hero, then spend the rest of your life complaining about people calling you a Nazi, cry me a river, sunshine.” -Nicola.   This week on Women of War we finally step over the Maginot Line and examine possibly the most famous Nazi woman, propagandist (though she said she wasn’t), auteur and artist Leni Riefenstahl. Leni Riefenstahl felt herself destined for stardom, first as a(n average) dancer, then a (bad) actress and eventually as a director. She’d stop at nothing to get her way, just as Hitler would stop at nothing to control Germany and destroy the democratic world. And Leni saw nothing wrong with that. She would be the greatest director in the world and not even the collapse of the Third Reich would slow her down. This episode contains references to atrocities committed by the Nazi regime in WWII, rape, racism, anti-Semitism, attempted suicide, self harm, mental anguish, gendered pejorative language, and drug use. It also contains bad language.  Check out Lindsay Ellis’ video on the Hunchback of Notre Dame, providing extra context on the Cannes and Venice film festivals in the 1930s. Also check out her video “Mel Brooks, the Producers and the ethics of satire about Nazis” here, if you would like to hear some discussion about the theatrics of fascism present in some of Riefenstahl’s work. If you need a chuckle, click here to see “General Adolph takes a walk,” proof that people have always been people no matter when in history they were from. That's the Lambeth Walk you can hear playing about a third of the way into the episode, which we do not have permission to use. It's for an educational purpose, okay? If you need a snooze, check out Riefenstahl’s Olympia on YouTube. You can also find Triumph of the Will without much looking online, but instead we’re going to link to Roger Ebert’s review that Nicola quoted. If you’ve seen the medal scene in Star Wars: A New Hope, and Be Prepared from the Lion King, you’ve basically got the gist of Triumph of the Will. Think massed formations. Think marching. Think a lot of trumpets. For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode.   Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

Please note, as this episode was recorded in isolation during Melbourne's fifth lockdown, there are a few audio issues. Thank you for your understanding. Born at the close of the 60s, Marjane Satrapi grew up in a changing world. A child of upper middle class, left-wing Iranian parents Marjane came of age during the 1979 Iranian Revolution and the violence of the Iran-Iraq war. Her unique perspective on the revolution and war gives us a child- and teenager- eye view of a violent, complex and turbulent period in a beautiful part of the world. Good news everyone! As of 19th July, 2021, Stan has the film version of “Persepolis” available to stream. If you’re in New South Wales, Victoria, South Australia or home isolation in another state or territory due to the federal government’s extreme failure in controlling the COVID-19 pandemic and their abysmal vaccine rollout, do yourself a favour and check it out! What else are you going to do? Thanks to Mr Grayson Brown for lending us his voice acting talents as our newsreader. You the real MVP. Thanks to the ABC for not suing us for using Charles William’s “Majestic Fanfare.” Due to its use in jest and the shortness of the snippet, it probably counts under “fair dealing.” You don’t have the money to sue us and we don’t have the money to fight it. Let’s just chill.  Women of War is recorded on Wurundjeri land. We pay our respects to their elders past and present. Sovereignty was never ceded. This episode contains references to civilian deaths, brainwashing, bombing, torture, immolation, gas poisoning and other atrocities of war, child soldiers, drug addiction, forced marriage, sexual assault and rape. And swearing.  All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. For further reading -- read the book! It should be at your local library, or support your local bookshop. Marjane's other works include "Chicken with Plums" and "Embroideries." Emma Watson’s interview with Marjane Satrapi can be found here. If you’re here because you’re studying Persepolis in VCE, nice work on looking for extra resources! Send this to three friends to gain luck from the Gods of VCAA, and good luck on the GAT. For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

She made her name dancing in a banana skirt, some pearls, and nothing else, but it was her actions as a spy for the French Resistance during WWII that earned Josephine Baker full military honours on her death. The Harlem Renaissance, the Années folles, WWII, the Civil Rights Movement...if it was a key period of the 20th century, chances are Josephine Baker was in the middle of it. A life of incredible achievements but also some questionable decisions, listen to Hannah and Nicola as they discuss the incomparable Josephine Baker. Who else could make a troupe of monkeys appear in an episode on the French Secret Service? Women of War is recorded on Wurundjeri land. We pay our respects to their Elders past and present. Sovereignty was never ceded. This episode contains references to physical and sexual abuse, miscarriage, medical procedures, hysterectomies, racism, war crimes, slavery and Nazi ideologies. It also contains some naughty language. It may not be suitable for all listeners. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.  For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

A loving mother, World War I nurse and devoted wife, Saint Alexandra the Passion Bearer probably would have been a lot better off in life if she’d stayed a Princess of a minor German Duchy. She however fell in love with a young man named Nicholas and became the Tsarina Alexandra Feodorovna. One of the most infamous female rulers in modern history, Alexandra has become known as a tragic and selfish figure who contributed to the downfall of the 300-year-old Romanov dynasty due to the influence of the manipulative mad monk, Rasputin. Eventually she and her family would meet their death at the hands of Red Army soldiers. Why was Alexandra such a problematic figure in the eyes of so many Russians? Yes, it’s because she was German. But there’s far more to it than that.   Women of War is recorded on Wurundjeri land. We pay our respects to their elders past and present. Sovereignty was never ceded.   This episode contains references to rape, sexual threats towards children and sexual assault, haemophilia, the murder of children, war crimes, interference with and the defilement of corpses, miscarriage, birth trauma, infertility, civilian deaths, starvation, fire, child death, pedophilia and bleeding. It also contains some naughty language. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. Opinions presented about Orlando Figes are in jest and do not represent the speaker’s actual views. For more information on the Russian Revolution, check out Orlando Figes’ A People’s Tragedy or, for a less backbreaking tome, Revolutionary Russia, 1891-1991. For more information on the Romanov dynasty, see The Romanovs: 1613-1918 by Simon Sebag Montefiore. Or just go to your local library, there’ll be something. Not as many books as on World War II, but is there ever? If you want to check out books on the Australians in the Russian Civil War check out Anzacs in Arkangel by Michael Challinger, or the Diggers Who Signed on For More by Bruce Muirden.  If you’re here because you’re doing Revolutions in VCE, nice work on looking for extra resources! Send this to three friends to gain luck from the Gods of VCAA.  For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode. Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

NOTE: This episode suffers from bad audio quality due to COVID lockdown and technical issues. It has been re-recorded and released as a bonus episode.  What do you do with a female sailor, what do you do with a female sailor, what do you do with a female sailor, in the sixteenth century? Give her some castles, a fleet of ships, the blessing of the Queen and let her take to the seas as a fearless pirate. Join Hannah and Nicola this week as we fall in love with Gráinne O’Malley, the Irish Pirate Queen who spent decades pissing off the British in the Elizabethan Wars. There’s piracy, murder, treason, sex, court politics, English colonial wankers, and an Irish chieftain who did whatever it took to get what she wanted.  This episode was recorded over Zoom during Melbourne’s 4th lockdown, thanks Scott Morrison. We thank you for your patience with any audio issues.  This episode contains references to vomiting, murder, piracy and religious persecution. It also contains some rude language. It may not be suitable for all listeners. Women of War is written and recorded on the lands of the Wurundjeri People of the Kulin Nations. We pay our respect to Elders past and present, and Aboriginal and Torres Strait Islander listeners. Sovereignty was never ceded. All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.  For more information on Gráinne (yes, there’s more, we were shocked too), read Anne Chambers’ biography, Granuaile: Grace O’Malley--Ireland’s Pirate Queen, C. 1530-1603.  For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans. Sign up to our newsletter at womenofwarpod.com/subscribe to get notified of the newest episodes plus all the cool things we couldn’t fit into the episode.   Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

(If you are here to find the timestamp to skip over the definitions section, skip from 6.20 to 9.54.)    Some historical figures are riddles wrapped in enigmas wrapped in a vest, with a great manicure. Roberta Cowell is one of them. Raised as a boy, Roberta Cowell was a racing car driver, nearly an accidental assassin, and a World War II fighter pilot and a race car driver again before realising she was a transgender woman. Thus began her next grand plan to have her true sex (her words) realised, and her body match her mind.  Thanks to Erin for providing the voice of Roberta Cowell. Erin is a transgender actress, musician and historian based in Victoria. Thanks also to Ben MacEllen for providing the voice of Michael Dillon. Ben is a transgender actor and LGBTIQA+ activist based in Victoria and his website is benmacellen.com.  This podcast contains discussion of intersexuality, transgender issues, transphobia, gender reassignment surgery, outdated language with regards to transgender and intersex people, brief cruelty to animals, facial injuries, surgery and medical experimentation, war injuries, Nazi atrocities, cruelty to prisoners of war, war rape, attempted sexual assault, and some bad language.  We have elected to use male pronouns for Roberta before she began her transition, as she herself did in her autobiography. Discussion of Roberta after she began her transition will then use female pronouns. In the same vein, we use female pronouns for Michael Dillon before he began his transition, and male pronouns thereafter. We have however avoided using their deadnames.  All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies. The fallible nature of human memory must also be considered and is a point of discussion in this episode. Nicola also misstated the year Roberta and her wife divorced, and it was in actuality, 1952. Wales is also part of the UK, she meant to say "Welsh people moved across the border to England." Should Wales be part of the UK? That's a question for another time.   --   For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans.  Donate to Minus18, an Aussie charity that seeks to educate, empower and support queer youth, here: https://www.minus18.org.au/ Check out Intersex Australia, another Aussie charity that aims to empower intersex individuals and educate endosex individuals. Find them here: https://ihra.org.au/ If you’ve read down this far, you’re hot. Leave us a review on Apple Podcasts and you’ll be even hotter. For more information on Michael Dillon check out The First Man Made Man by Pagan Kennedy, just not from Amazon if you can. For more information on Dr Harold Gillies, read his Wikipedia page - and there’s a lot about him in Kennedy’s book also. For more information on Roberta Cowell, start with her autobiography, Roberta Cowell’s Story.  For more information about LGBTQ+ people and their experience of serving in the military, check out Serving in Silence by Noah Riseman, Shirleene Robinson, and  Graham Willett.  Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com

Some historical figures are riddles wrapped in enigmas wrapped in a vest. Roberta Cowell is one of them. Raised as a boy, Roberta Cowell was a racing car driver, nearly an accidental assassin, and a World War II fighter pilot and a race car driver again before realising she was a transgender woman. Thus began her next grand plan to have her true sex (her words) realised, and her body match her mind.  Thanks to Erin for providing the voice of Roberta Cowell. Erin is a transgender actress, musician and historian based in Victoria. This episode contains discussion of intersexuality, transgender issues, transphobia, outdated language with regards to transgender and intersex people, facial injuries, war injuries, Nazi peacetime atrocities, Nazi wartime atrocities and some bad language.  We have elected to use male pronouns for Roberta before she began her transition, as she herself did in her autobiography. Discussion of Roberta after she began her transition will then use female pronouns.    All efforts have been made to ensure the accuracy of the information presented in this podcast however with the nature of historical research, there may be mistakes or inconsistencies.  The man Nicola references towards the end of the episode, John Cade, was an Australian doctor and former POW who discovered the use of lithium in treating people with bipolar disorder. Learn more about him in this ABC Conversations podcast: https://www.abc.net.au/radio/programs/conversations/conversations/7899396 You can also read the book (there’s only one) on Cade’s life, Finding Sanity, by Greg de Moore and Ann Westmore.    For more information on the podcast, go to womenofwarpod.com or follow us on Twitter, Facebook and Instagram @womenofwarpod for updates, sneak peeks and behind-the-scenes shenanigans.  Intro and Outro Music: Frosty Forest by Shane Ivers - https://www.silvermansound.com