The Vinyl District's Radar with Evan Toth

Technology’s growth in the last decade has been astounding. I don’t have to tell you how AI has just begun to impact our lives, and we all grit our teeth peeking to witness its evolution. But, though it all, there’s a timeless beauty to the still photograph. Even our 21st century blogs and social media are - in many ways - simply a digital photo book for us to flip through. Humans love looking at pictures and - as with vinyl records - we enjoy that experience even more when it is coupled with a tactile element: the paper, the saturated color, the feel, the smell, and - of course - the artistry behind the lens.Eilon Paz isn’t so much a record collector, he’s more a collector of record collectors. Paz is a photographer who noticed the uniqueness of record collectors, just as the new wave in vinyl popularity was taking hold. He took his profession and his passion and pointed his camera at record collectors and their collections. First on the web as a blog, his project became a well-regarded book titled, Dust & Grooves which was first published in 2014.Now, Eilon has released Dust and Grooves, Vol. 2: Further Adventures in Record Collecting, and he’s also expanded his online presence and offerings. Believe me when I say I did not realize the size and scope of the book until I held a copy in my hands. Eilon has outdone himself with a collection of photographs of collectors from around the globe, paired with interviews that describe their methodology and allow a reader into their thought process when it comes to vinyl.Sometimes, it’s more fun to see someone else's collection of something rather than have it yourself. In this way, the book and Eilon’s photographic journey is appealing to those outside of the record collecting world as well: it’s an opportunity to see the passion and care that these collectors dedicate to their libraries and the humanity intertwined within. Eilon loves a good record collection, but it’s the collectors themselves that really catch his interest.

Some guys just do it all. Today we speak with Andy Babiuk about the newest release from the Chesterfield Kings who have been rock and roll torch-bearers over the last forty plus years. The album is titled, We’re Still All The Same. Take that musical pathway, connect it with Little Steven - and his Wicked Cool Records label - and first you’ve got a story about a meat and potatoes rock band that continues to preach the garage rock gospel in the 21st century with the help of one of the day’s most active rock and roll champions.Or, the conversation could shift into Andy’s exhaustively complete authorship of the incredibly successful books: Beatles Gear, Rolling Stones Gear or The Story of Paul Bigsby. These books delve not into the minutia of famous musicians’ lives, but instead tell the tales behind the instruments that they held in their hands while making the timeless music that they made: the guitars, the amps, the effects, and the studio tools. How’d they get them, what’d they do with them, and where’d they go. All of them, fascinating reads.There’s even another path available when speaking with Babiuk. It’s possible to simply discuss a day in his life running his own guitar shop in Rochester, NY, Andy Babiuk’s Fab Gear. It’s not just any guitar store, the shop specializes in the vintage instruments that were responsible for the sounds you hear on some of your favorite records recorded in the 20th century. They do repairs too. They worked on the 1964 Fender Stratocaster that Bob Dylan used to “go electric” at the 1965 Newport Folk Festival and change the course of music history. You know, stuff like that.As you can see, there’s no shortage of angles I can take in this chat with Andy and - as you’ll soon hear - I did my best to get to it all, and we even went to a few unexpected places. Luckily, for us, Andy is ready to share his unique insights on his involvement in several aspects of a life spent in rock and roll: you could say he’s an open book. Perhaps the next story he writes will be about himself. There’s certainly plenty there to explore.

I don’t know when you first found out about the role of a session musician, but for me, it was associated with The Monkees. I remember not quite understanding how a band could make music, yet still not play all of the instruments on the record. Well, my youthful naïveté was obliterated when I learned that there exists a highly skilled, dedicated, professional group of elite musicians who slip in the studio to lay down tracks that uplift whatever the star performer may have created.On keyboards, there’s one session musician who stands above many others: he’s played extensively with the Rolling Stones, the Kinks, and even the Beatles. Not only did he share that rarefied air with those heavyweight champs of classic rock, but his keyboard parts were sometimes integral to the artistic and commercial success of the song.You’ve heard the wild electric piano solo on the Beatles’“Revolution”, you know that haltingly beautiful piano part in the Rolling Stone’ “She’s a Rainbow”, and you’re familiar with the majestic grandeur of the piano part that supports Joe Cocker‘s “You are so Beautiful”.So when you learn about a musician such as Nicky Hopkins, who’s reputation may be a bit unsung, what are you to do? Well, if you’re a filmmaker like Mike Treen, you make a documentary about him. And you gather as many first hand witnesses to Nicky‘s expertise as possible, including Peter Frampton, Dave Davies,and even Keith Richards and Mick Jagger.Mike Treen joins me to talk about his film titled, The Session Man. We explore how he pieced together different elements from Hopkins‘s life and presented it in a cogent and easy to follow narrative that showcases the ups and downs of this special musician's life.

As Bruce Springsteen once sang, “two hearts are better than one” and that certainly is the case with The Heavy Heavy. Not only does the name of the band have a second helping of Heavy, but the group is fronted by two musicians who, you’ll soon find out, act as a team when it comes to decisions about the group’s sound and direction.About a decade ago, Georgie Fuller and Will Turner met under musical circumstances and haven’t looked back since. While their first musical collaboration leaned toward an acoustic Laurel Canyon sound, this new iteration is different. Will works hard to find the initial spark for his tunes, rummaging through his mental database of vintage rock, pop, soul, and Motown. He brings the composition and riff-laden guitar chops and everything is great, but then there’s Georgie. Georgie packs with her a commanding voice and knows how to employ those vocal dynamics correctly for full effect. But she also knows how to nudge her partner along when it comes to his compositional creations and she is an integral part of shaping the group’s sound in the studio.The band has found critical success and also have landed plum gig after plum gig. These elements combined allow the group to find an audience for their retro modern sound. In this episode, we discuss their genesis and working relationship and also how they are riding the roller coaster that they’ve recently been on. Luckily for us, I’m able to speak with both Will and Georgie because as Bruce Springsteen sang. Well, you remember what he said.

Sometimes, the only way to find yourself is by getting a little bit lost. Israel Nebeker - lead singer of the band Blind Pilot - experienced this first hand. The band came strongly upon the music scene in 2008, gaining particular media attention for their “bike tour” which brought them from Bellingham, Washington all the way to San Diego, California with nothing but their instruments and bicycles in tow.Noteworthy activities like these - and two well-received albums - placed them in front of viewers of Last Call With Carson Daly, before audience members at Lollapalooza, and even all the way to Late Night with David Letterman where Dave mistakenly referred to the group as “Blind Spot”. It was a good time to be in an indie-folk band from Portland.However, after the release of their last album in 2016: radio silence. The band went on hiatus as they reconfigured their relationships, struggled with writing, and - of course - made it through that pesky pandemic where no one did much of anything.However, after a trip to Scandinavia, Nebeker tapped into a well of creativity and inspiration leading him to write enough material for his first solo album and a brand new Blind Pilot record which has just been recently released, In the Shadow of the Holy Mountain. As they say, when it rains, it pours.So, join Israel and me as we dig into the long spiritual and creative journey he’s been on and how Blind Pilot regained their vision.

Imagine hearing a style of music that has become very popular; a genre you might hear on a TV commercial, or maybe on your favorite streaming program, or perhaps coming from a car window as it passes you by the street. Now, try to pretend that the style of music you’re hearing was popularized by your dad.Seun Kuti goes through this process often and - along with his siblings - have become the next wave of afrobeat music makers who have followed in the footsteps of their famous father, Fela Kuti. Fela was the architect of the afrobeat sound. Its infectious rhythms lifted African sounds to another level, but also redirected those influences as heard in American music back to the homeland.Seun - with Egypt 80 - have released a brand new album titled, Heavier Yet. The project finds Lenny Kravitz acting as executive producer and also features Fela’s original engineer Sodi Marciszewer; he is behind the board on this album in the role of artistic producer. But, wait, there’s more: the son of an Afrobeat pioneer joins together with the son of a reggae pioneer. Damian Marley and Seun collaborate on one of the album’s penultimate tracks: “Dey”.Seun and I were both a little excited to be having our international chat between New Jersey and Lagos, Nigeria. We both hope you’ll find the technology as enthralling as we did. We discussed his new album, of course, but as you’ll find, Seun is up for talking about anything. Settle in to hear about some history, a few surprises, and some really exciting music.

You don’t need to be using your vocal cords to sing. There are other ways to do it, you don’t even need to be a human being! Birds sing, the wind sings while you’re standing on the beach watching the surf, and maybe you could even say that an air conditioner sings in the background as it cools your room on a hot Summer day. Just because something is singing doesn’t mean it has to come from vox humana. In the case of Delicate Steve, it’s his guitar that does the singing, and it’s a distinctive voice that his instrument has.On his recently released new album Delicate Steve Sings, Steve Marion takes the voice of his guitar and applies it to mostly an original cadre of songs, however, he throws in a few covers for good measure, some you’ll definitely know, and a few that may be new to you. But no matter what song he’s playing, he’s working hard on this album to make sure that those songs have the unique singing voice that his guitar has exhibited over the last 8 albums that he’s released.On this episode, we of course talk about his new record, and about how some critics may have misunderstood what he was trying to do on this album, but how it only goes to prove to himself that he’s on the right track. Do you know what your voice sounds like? You don’t have to use your vocal cords, or a guitar. What is it that you use when you really sing?

It’s amusing how certain traits and talents seem to run in families—like an unbreakable thread woven through generations. Perhaps you hail from a long line of carpenters or artists, each passing down their skills. Music, in particular, has a remarkable way of flowing through bloodlines. While styles may evolve, the gift of rhythm and melody remains timeless, transcending the boundaries of space and time.Nikka Costa understands this instinctively. Drawing on the rich legacy of her father, renowned arranger and producer Don Costa, she has infused his best qualities into her own vibrant blend of funky, soulful rock and roll. Though she was young when her father passed away, she carries with her a treasure trove of musical memories—most notably, a hit recording from 1981, “(Out Here) On My Own,” and an unforgettable duet with her father’s longtime collaborator, Frank Sinatra, performed on the White House lawn, no less!Throughout her extensive career, Nikka has explored various musical styles, but on her latest album, Dirty Disco, she takes a deep dive into the propulsive sounds of the dancefloor. In this episode, she joins me to discuss her new record and how those familial musical influences continue to resonate in her work today.

It’s easy to overlook, but for some, music isn’t just a passion—it’s a livelihood. While many might juggle music as a side gig or serious hobby, others dive headfirst into a full-fledged career as a musician. As with any pursuit intertwined with money, the path ahead is rarely smooth. Yet, artists like Brian Ray not only navigate this complex terrain but they truly thrive there.We could delve into his collaborations with Smokey Robinson, retrace the dedication he poured into his years with Etta James, or explore his legendary - and current - stint as Paul McCartney’s guitarist. Today, however, we focus on his latest solo endeavor, My Town, released under Little Stevie Van Zandt's Wicked Cool Records label.Brian has generously shared his musical prowess with others, but a listen to My Town reveals that he still has plenty of expertise left over for himself. Brian and I chatted about the creation of this album, the invaluable lessons he's gleaned from working with industry icons, and some of the realities of life on the road.

It’s not exactly a comeback. Instead, the dB’s are reconnecting with their loyal audience, who have always valued their brief but impactful body of work. The New York City band (by way of North Carolina), crafted a distinctive sound by blending edgy late-'70s NYC new wave and punk with the Southern indie-rock essence of Big Star. This fusion produced a unique mix of jagged rock and roll, complemented by thoughtful lyrics and intricate songcraft.During their peak, the dB’s released just two albums with their original lineup—Chris Stamey, Peter Holsapple, Will Rigby, and Gene Holder. Both Stands for Decibels and its quick successor Repercussion came out in 1981. Although the band’s original run was brief, they released a well-received reunion album in 2012. Meanwhile, each member has continued to pursue music outside of the dB’s.This year, the dB’s have partnered with Propeller Sound Recordings to reconnect with long-time fans and attract new ones. Notably, their first two albums were initially available in the U.S. only as imports. While the albums have been reissued in various formats over the years, this is the first time they will be released on vinyl in America. Both records have been remastered and are available in different color variants.In this episode, band members Peter Holsapple and Will Rigby join me to discuss their upcoming live performances with the original lineup and their excitement about introducing and reintroducing their music to fans who cherish the sound they created that has captivated so many “in the know” music lovers over the years and how these fresh releases might find new ears, too.

The Beatles confidently proclaimed that “Love is all you need” during the summer of - well, you know - love (1967). And while no one can argue with the fabs’ proclamation, the 21st century finds human beings on a search to define exactly what love is and how it can mean so many different things to just as many people. We each have our own love language, but just like everything else on planet Earth, it’s our individual perceptions of those feelings that sometimes cause our miscommunications.Enter Suzanne Jamieson who has released a string of albums that aren’t exactly children’s music, they’re more like bundles of concepts and catchy music appropriate for the whole family. Her newest album is titled Love Is... and explores varied paradigms of love, providing context for each exploration backed with a purely pop production provided by co-producer and co-writer - and three time Grammy nominee - Jason Rabinowitz who himself has been recognized for his work with his children’s group, The Pop Ups.So, hang out with Suzanne and I as we discuss her new album, performing for a diverse audience and a few special friends that she and I have in common. We can all agree that love is all we need, but let’s take a moment with Suzanne to explore exactly what love is.

There has been tremendous growth in the topic of vinyl records and record collecting over the last decade or so. There are podcasts (like this one), articles, and video channels dedicated to folks who blab about their treasured collections, and then there are those who shout from the rooftops about new releases the minute the news gets out. But what about holding a face-to-face conversation with another person about our beloved discs? When was the last time you looked someone directly in the eye and engaged in some good old analog repartee?If you’re going to chit chat with an individual about this topic, then Corey duBrowa should be at the top of your list. After years of writing about music for publications like Rolling Stone, and GQ, he no doubt commands a strong understanding of the subject matter. That’s not to mention the other exciting side of his career: a world of global corporate communications for many brands and companies that would be familiar to you. Like all good communicators, he has focused his interest on a brand new book that he’s written exploring the format of the EP. It’s titled, An Ideal for Living: A Celebration of the E.P. – Extended Play (Hozac Books) and it contains a history of the unique format coupled with reflections about noteworthy EP releases through the ages from his many friends and colleagues.While our conversation via video featured me holding up many of the albums we’re discussing, you - dear listener - are relegated to using your imagination to fill in some of the blanks. I’m confident you’ll catch on. The discussion you’re about to hear is quick-witted, exciting, and chock full of absorbing details and anecdotes. This talk with Corey was a delight and I’m certain that you’ll have as much fun as I did by just listening.

It’s not everyday that one gets to speak with “The Most Beautiful Woman in Norway” - according to Elle Norway - but that’s just a bi-product of the fact that this episode’s guest is a multifaceted personality who has made successful inroads in the music, fashion, and modeling industries.Maya Vik is a Norwegian bassist, songwriter and singer who - in addition to her previously mentioned skillset - is also infatuated with a sound that’s very near and dear to my nostalgic heartstrings: the late 80s and early 90s. Her newest release, Hustlebot leans strongly on the FM offerings of those years and achieves a compelling simulacrum of a time when youngsters clad in Guess jeans roamed America’s sprawling shopping malls.Maya - of course - infuses her own Nordic spin into the sound.So, join us and find out more about how she juggles her many talents, the path that led her to the bass guitar, how she connected with the excellent producer, Initial Talk, and what her next plans are. Given Maya’s history so far, there’s no telling what surprises are in store.

There’s nothing like the sound of an old Motown record. Whether you hear it in your hometown of Detroit, or turn it up in Kathmandu; it doesn’t matter, the music is great regardless of location and - truth be told - those recordings are inimitable. One could say they encapsulate a certain time and place, but that wouldn’t be fair to the level of sorcery that was achieved in Motown’s studios during their hey-day. It wasn’t just music they were creating, instead it was an almost existential sound; sure, go ahead: they made magic.Motown’s catalog is vast and while much of it has been grafted onto the American experience of the 60s and 70s, there are many recordings that still wait to be re-discovered by music lovers and record collectors. Elemental Music was founded by Jordi Soley in Barcelona in 2012 and is best known as a jazz reissue label. Recently, however, they’ve been given the opportunity to reissue a significant chunk of the Motown catalog. Achieving this keeps these important Motown milestones in print, but the label is also committed to doing it right so these releases proudly represent the timeless grooves located within their cardboard sleeves.Joining me on this episode from Elemental is Kevin Keeley. Together, we discuss the process that Elemental is undertaking to bring these eternal tunes to a new generation of vinyl lovers. In a nutshell, this show is a guy from Ireland who works for a record company in Barcelona talking to a fella in New Jersey about music made in Detroit more than half a century ago. If that doesn’t show the worldwide, timeless appeal of Motown’s music, then I don’t know what to tell you.

It’s not easy to be consistent in show business, to continually release albums and to perform at a high caliber at all times. However, some musicians have the ability to hand in strong works through most of their careers. There are performers who have built lifelong bonds with their dedicated fans because of these reasons.Raul Midón is one of those artists and he has recently released a strong new album titled, Lost and Found which finds the multi-instrumentalist experimenting with and exploring several different genres and voices. And - if my data is correct - although he’s released albums since his first solo release in 1999, this is the first time one of his records has been released on vinyl.This is fitting, too, as Raul joins me soon after participating in this year’s Making Vinyl conference which took place in Nashville, TN. As you’ll hear, at the conference, Raul found a new appreciation for vinyl, not just from the auditory point of view, but through other facets that you’ll soon learn about. One way to remain as consistent as Midón has over the years is to continue to challenge yourself to create the best work possible. In this interview, Raul will share a little bit of his process of doing just that.

Andy Summers, renowned as the influential guitarist of the Police, reveals a multifaceted creative persona that extends far beyond music. He openly embraces his diverse interests, seamlessly integrating them much like he does with his guitar, weaving them into a cohesive tapestry that defines his prolific body of work.While the guitar remains his primary artistic tool, Andy's pursuits extend to photography with his Leica camera and creative writing with a keyboard. His latest endeavor, The Cracked Lens + A Missing String tour, ingeniously merges these passions together. Here, Andy not only performs music but  intertwines his photographic art and narratives, transcending a mere recapitulation of his greatest hits. It's a testament to his belief in the evolution of artistic expression in order to engage varied audiences with his restless visions.In our discussion, guitars naturally take center stage alongside anecdotes from his iconic Police days; we even muse about guitar hunting. Yet, our focus remains forward-looking. Andy reflects on a journey marked by towering achievements and vast experiences, but he is now afforded the luxury to discover recurring themes and seek the synchronicity in his life's narrative.

Becoming who we are takes years. Our personality develops long before we're aware of it. Some of us are more comfortable with ourselves than others, but generally, we understand our own identity and hope that we grasp how others perceive us - that part can be a challenge. Given the chance to be someone else, who would you choose? How would you be different? What rules would you break if you weren’t yourself?In music, alter egos are common. Bowie’s Ziggy and The Beatles’ Sgt. Pepper Band are famous examples. Today, newer artists, like Aiden Berglund, explore their art without the name they were ascribed at birth. Aiden, under the pseudonym Grimson, has recently released his debut album, Climbing Up the Chimney. The record blends rock and roll with a touch of the baroque.Join me and Aiden in Germany as we delve into his past and how it shapes his present. It’s a chance for him to reveal the person behind the performer, to shed light on his new album's songs and his creative journey. Perhaps you will be inspired to consider who you would become if you were someone—or something—else. That other you might be a more significant part of you than you realize.

Multitasking is a popular trend in musicianship today, but, like in other aspects of life, it has its critics. Those against multitasking argue that the human brain performs best when focused on one task at a time. Just because we can multitask doesn’t mean it’s the most effective approach. What if we devoted all our time and energy to a single pursuit instead?Molly Miller embodies this principle through her lifelong dedication to the guitar. Proficient in its complexities, she not only creates music with the instrument but also shares her expertise with others. Her latest album, The Ballad of Hotspur, created with her trio, showcases her deep connection with 20th-century guitar music. With a jazzy, meticulously composed finesse, the album also highlights her role as a guitar instructor at USC’s Thornton School of Music.Also explored is Molly’s upcoming tour with Jason Mraz, with whom she serves as guitarist, and her experiences managing her various guitar-related endeavors. The release party for her album is set for Sunday, June 16, at the Jazz Lounge in San Diego, CA.Instead of trying to do everything at once, let’s give Molly the same focused attention she gives to her guitar.

When you reach a certain age, you get used to the experience of processing bad news or difficult times in your life. It may be hard to explain the consistency of that behavior as processing trauma is an amorphous experience, sometimes different things heal the wounds that life tosses at us at different times. Cancer is a particularly dark development in anyone’s life or family and while medical treatments for the disease have come a long way over the years, there is plenty of sage wisdom out there that says our mindset plays a large role in recovery from the unwanted specter of cancer.Donna Lewis is best known for her 1996 megahit, “I Love You Always Forever” which can still be heard frequently on radio dials and while wandering around your local drug store at 11 pm. At the time, it was a vivaciously bubbling love pop song with just the right amount of breathy spookiness to infiltrate a post-grunge world ready for new sounds in a new century.In 2021, Donna hears the diagnosis that no one wants to receive, she had breast cancer and then embarked on a course of treatment that was - thankfully - ultimately successful. However, during days and nights that must have been hauntingly frightening, she found inspiration and therapeutic relief in composing music that illustrated her journey. The result is Rooms With a View which finds Lewis’ signature voice describing her experiences in an incredibly powerful way.Join Donna and I as we discuss her latest album, her virtual work with producer and musician Holmes Ives, and what’s coming up next in support of this album. As you’ll learn during our chat, the music on Lewis’ new work got her through a tough time, but will most certainly be heard by other folks moving through their own difficult days. Donna may have made this album to help herself through the darkness, but it’s also there to comfort others, too.

It’s miraculous, really, that great new music is revealed to us each passing week; we need only to be open to exploring it to enjoy it. There’s nothing wrong with reveling in your favorite songs, artists and albums that are deemed classics by some listening community, but it’s continuing to explore new releases that really gets us thinking about music: both where it’s been and where it’s going and how new sounds might enrich our busy lives.That’s when it’s fun to discover an artist like Liam Bailey who offers a slice of many of your favorite records on his newest release, Zero Grace, yet he maintains a voice that is all his own. Liam is not really a “new” artist, but his latest album is a bit of a rebirth. His first full release dates back to 2014 and jointly came out on the Sony Masterworks and Flying Buddah labels. But his latest album on the Big Crown label feels like a return to Bailey’s roots; a true representation of who he is rather than someone else’s idea of who he should be.And Liam wouldn’t have things that way anyway. As you’ll find in our chat, he’s his own man and he resists any temptation to avoid the truth; he approaches things head-on and makes no excuses. And for someone who is a music lover, and who appreciates a steadfast creator making music on their own terms, it can be an exciting experience to discover Liam Bailey. So, let’s do it!