A lot of what has transpired in Ryan Lott’s life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of Son Lux has landed them in some unusual places, not least of which was at the helm of scoring one of the most unusual films ever made – Everything Everywhere All at Once. Listen along as Lott gets open about being a part of the first ever Oscar nominated band for best score, and the choices he made to get there, and beyond.

Christopher Bear and Daniel Rossen spent the better part of the last two decades captivating the indie rock world as members of Grizzly Bear. They re-emerged this past year to score the Oscar-nominated Past Lives, a film that has captivated its entire audience.

In this run-up to the 96th Academy Awards, we are delighted to share this conversation with nominee for best original score, Laura Karpman. Karpman's score for American Fiction, which has five nominations, gently twirls in and out of what is quietly one of the best films of 2023. It showcases a different side of Karpman than the grand-scale Marvel projects for which she's known.

For our new composer spotlight, we're introduced to emerging composer Andreas Gutuen Aaser. The Norwegian-born artist discusses his impressions as a composer on the rise in London's scoring scene and what he has learned working with Natalie. Andreas shares a couple of his beautiful works as well as his wicked rendition of Cristobal Tapia de Veer's White Lotus theme.

For Episode 3 of the Composer Magazine Podcast, we‘re joined by one of the most distinct, unusual and immediately recognisable contemporary composers: Cristobal Tapia de Veer

For Episode 3 of the Composer Magazine Podcast, we‘re joined by one of the most distinct, unusual and immediately recognisable contemporary composers: Cristobal Tapia de Veer

Este & Amanda had a lot to share, and Charles & Natalie were very curious. So, here is Part 2 of their long conversation.

An unexpected harmony took shape when Este Haim and Amanda Yamate found each other. Now the composing tandem have a bond that transcends their art form. In this episode, they talk about their special relationship in scoring and in life.

This season, we are following each feature episode by shining a light on an up and coming young composer. Natalie has been a mentor to this bright London-based talent, Florence Sabeva. Flo plays her own rendition of Carter Burwell's "Mystery of Inisherin" to start the episode!

Part 2 of our talk with the honorable Carter Burwell. Class resumes session.

We're starting off Season 2 with the bar set high! The great composer Natalie Holt joins Charles as co-host for this next round of talks with some of the most talented composers in the world, and our first guest is none other than Carter Buwell. Get ready to get schooled!

Incoming just before the series finale of Barry! Here is part 2 of our 2 part conversation with series composer, David Wingo. Charles caught up with David midway through this fourth and final season, just as he had put the finishing polish on this season's music.

Incoming just before the series finale of Barry! Here is part 1 of our 2 part conversation with series composer, David Wingo. This chat took place just as season 3 had ended, when Charles visited David in LA.

Natalie Holt is Composer Magazine's Composer of the Year! One marvels at Holt's recent body of work, highlighted by her scores for Marvel's Loki and Star Wars chapter Obi-Wan Kenobi, not to mention a theme that became instantly iconic in Loki's TVA. Charles caught up with Natalie for some much deserved basking in the glow, of her glorious year and some holiday cheer.

Two seasons in, the HBO/BBC series Industry has become one the sharpest, most riveting productions on television. The key to its success is how it invites the audience into the elite domain of London finance from the perspective of aspirational newcomers to the trade, looking to get ahead at all costs. Nathan Micay is a relative newcomer himself – to scoring – and his slick, intricate synth-based score is clearly the guide through it all, mirroring the aspiration and tension that permeates character and scene. Micay is the very welcome guest on this episode of the Composer Podcast!

The timing couldn’t have been better. Just as Dave Porter was winding down from his career-defining charge to compose all of the music for Breaking Bad, and its subsequent prequel Better Call Saul, we caught up with him to get his perspectives on being the musical anchor for one of the great stories told on television. Whether or not you are a Breaking Bad heavy, listen in and get to know one of our major contemporary composers. It's the stuff of legends.[SPOILERS]

For our very first episode of the Composer Magazine Podcast, we spoke to the composer behind Us and Get Out on reuniting with Oscar-winning director Jordan Peele and figuring out the sound for their new pop nightmare, Nope.Chatting to our host Charles Steinberg at his LA-based studio, Michael shares his perspective on the different sounds of strings, the indisputable horror of rabbits, and the surprise that often comes when watching the finished film, as well as his other initiative outside of scoring: the Composers Diversity Collective.This interview is spoiler free, so whether you’ve seen the film and are eager to learn more about the creative process behind the score, or simply want to whet your appetite before you watch — sit back, listen and enjoy!