In this week’s essay, John discusses the art of attention and how to develop the skill of slow-looking.   Notebook Entries: Notebook 75, page 8. September 2021 1016   Notebook 1, page 54. June 1990 -       Magna carta 1215 at Salisbury -       Girls skipping -       The Haunch of Venison -       Chris   References: Georgia O’Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian “Gabfest Reads: A Woman’s Life in Museum Wall Labels” for Political Gabfest  One Woman Show by Christine Coulson “Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News A Journey Around My Room by Xavier De Maistre “Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science “Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times One Man’s Meat by E.B. White   Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com   Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen.   Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls? As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own. From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.) Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.” Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out: nobody wins with two parties. A competitive presidential election draws closer every day – and as ever, every vote will count. So is it fair to accuse third-party voters of wasting a vote, as often happens? Or are third-party candidates actually preserving what little we have left of a competitive democracy?  Bernard Tamas of Valdosta State University joins us to make the case for the power of the third party. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. Want more Hear Me Out? Subscribe to Slate Plus to access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hearmeoutplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s essay, John dives deep into the loss of his beloved dog, George, the essayist’s dilemma, the comfort of quiet mornings, and more.   Notebook Entries: Notebook 75, page 5. September 5, 2021 I go to the morning alone.   Notebook 75, page 6. September 6, 2021 Phantom nails on the stairs     References: “Every Dog Is a Rescue Dog” by John Dickerson for The Atlantic “Oxytocin-gaze positive loop and the coevolution of human-dog bonds” by Miho Nagasawa et.al for Science Haikus by Jennifer Gurney “Which Pet Will Make You Happiest?” by Arthur C. Brooks for The Atlantic “The Family Dog Is in Sync With Your Kids” by Gretchen Reynolds for The New York Times   Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com    Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

John Dickerson talks with author David E. Sanger about his new book, New Cold Wars. They discuss how Russia and China came to reach their new levels of power, the role the Middle East and Obama Administration played in all of this, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

April is Autism Acceptance Month, and how we’ve come to understand autism has evolved over the past several decades.  For years, autism spectrum disorder (ASD) was thought of as something that needed to be cured. Through better data and years of activism, that misunderstanding is changing. On this week’s episode of Well, Now we discuss that evolution with Sara Luterman, caregiving reporter for The 19th. Podcast production by Vic Whitley-Berry and Ahyiana Angel with editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Bryan talks to writer Neil J. Young about his new book Coming Out Republican: A History of the Gay Right. They dig into some of the inherent contradictions of the Gay Right and the pillars of their political strategy and reveal how central whiteness and maleness is to their politic.  Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s essay, John remembers dropping his son off at college, and trying to hold onto moments and feelings while you can.    Notebook Entries: Notebook 75, page 6. September 2021: They chose you.   Notebook 15, page 4. April 2004: Sitting with Brice by waterfall. Throwing rocks in stream. Loading sand from dump truck and loader and back again.   References: What Got You Here, Won’t Get You There by Marshall Goldsmith Songwriter Nick Cave Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin   Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com    Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen.   Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls? As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own. From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.) Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.” Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether. And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford. In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp? Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media; and Erik Radvon, comic book creator and bookazine fan. This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely?  Some of the voices you’ll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum. This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. A very special thank you to Paula Scaire. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Myrlie Evers was arguably the first civil rights widow, a woman who was plunged into activism after the assassination of her husband—Mississippi NAACP field secretary Medgar Evers—in 1963. She survived to become a leader of the movement in her own right. But what’s less well known is the remarkable story of how the couple came together, and how their love endures, decades after his death. On today’s episode of A Word, Jason Johnson is joined by journalist Joy-Ann Reid to talk about her book, Medgar & Myrlie: Medgar Evers and the Love Story That Awakened America. Guest: Joy-Ann Reid, host of MSNBC’s The ReidOut Podcast production by Ahyiana Angel Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit. Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred? The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough? Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.” Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyoncé has announced that the second act of Renaissance will be a country album. “Cowboy Carter” is set for release at the end of March, Women’s History Month. Beyoncé has already made history as the first Black woman to top the country charts with “Texas Hold ‘Em,” and recently received Dolly Parton’s blessing to cover her classic song, Jolene.  While Beyoncé may seem to be breaking new ground, much of country music has always been rooted in African American culture, and Black women have been singing country for decades. On today’s episode of A Word, Jason Johnson is joined by DePaul University Professor Francesca Royster, the author of Black Country Music: Listening for Revolutions. They talk about the history of Black women in country music, the racial tension that has kept many African American fans away from the genre, and whether this moment represents a new era for Black country artists.  Guest: Professor Francesca Royster, author of Black Country Music: Listening for Revolutions Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Like a manager or an agent or a publicist, a stylist has become a kind of must-have accessory for well-dressed, A-list celebrities. It’s just expected that they will have hired someone to select the clothes they’ll wear at public appearances. But this was not always the case.  In today’s episode, Avery Trufelman, host of Articles of Interest, will guide us through the collapse of a certain kind of Hollywood glamor; to the rise of a growing, financially rewarding relationship between fashion designers and celebrity culture; and then onto the explosion in red carpet events patrolled by fashion police that helped create this new occupation. This episode was produced by Avery Trufelman and Evan Chung, who produces Decoder Ring with Willa Paskin, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Teri Agins, Dana Thomas, Melissa Rivers, and Jeanne Yang. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… Parliamentary America? It’s Super Tuesday, and the process by which we elect a president is on full display (warts and all). Americans on both sides of the aisle agree that the electoral college has to go. But what should replace it?  Maxwell Stearns, author of Parliamentary America: The Least Radical Means of Radically Repairing Our Broken Democracy (out 3/5/2024), presents his case for restructuring American government to look more like a parliamentary system — and, in the process, to take presidential elections out of the hands of voters and conventions and into the hands of elected coalitions. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus! Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn’t cool. But what exactly was the punchline? In today’s episode, we’re going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You’ll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The U.S. healthcare system can split the country into two Americas. Your zip code, education, class status and more all play a role in the outcome of your health as well as the kind of care you receive.  Fewer markers more clearly define these disparities than race.  On this week’s episode of Well, Now Maya and Kavita talk about racism in American healthcare with Dr. Uché Blackstock.  Her new book Legacy: A Black Physician Reckons with Racism in Medicine gives a historical view of how racism has always played a role in U.S. healthcare.  This book is also a memoir of her own experience as a physician carrying on the legacy of her late mother, Dr. Dale Gloria Blackstock. Health Resources Mentioned in the Episode: Health in Her HUE Irth App Podcast production by Vic Whitley-Berry with editorial oversight by Alicia Montgomery. Send your comments and recommendations on what to cover to wellnow@slate.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… making (fourteen) points.  A piece in this month’s issue of the Atlantic argues that it’s time to re-evaluate the presidency of Woodrow Wilson. President Wilson was indisputably a productive president — but he’s now reviled by the left as a racist and the right as a tyrant. Is there room to meet somewhere in the middle? David Frum of the Atlantic joins us to argue that, yes: it’s time to un-cancel Woodrow Wilson.  If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie. You can skip all the ads in Hear Me Out by joining Slate Plus! Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices