Where jazz drumming's concerned, sometimes Blakey makes ya shaky and Buddy's too thud-y.  Where to turn?  Go West, young man, and samples the wares of one Shelly Manne.  Manne, a transplanted Easterner, made a career in California logging studio work, appearing on countless sessions, and leading his own group with varying personnel that was always know as Shelly Manne's men.   Now, just in time for Record Store Day, Reel to Real is issuing live days by the Manne and, with luck, bringing his artistry back into our consciousnesses.  Stay cool, cats!  Shelly Manne:  MUSIC FROM MY FAIR LADY; 2,3,4; JAZZ FROM THE PACIFIC NORTHWEST; Sonny Rollins - WAY OUT WEST.

Sometimes podcast hosts just want to watch the world - or at least their co-host - burn.  Hence the explanation for the inclusion of a pretty inexplicable pander-fest in this otherwise august and serious podcast.   The other selections (all recent releases) incorporate humor in a couple of cases, and, well, don't in the most serious selection.  Pat reports on a live concert by the more furrowed-browed of the alto saxophonists while Mike catches a few much needed zzzz's.  Grace Kelly with Strings – AT THE MOVIES; Moppa Elliot – JONESVILLE; DISASTERS VOL 2; Jennifer Wharton’s Bonegasm – GRIT & GRACE; Jim Snidero – FOR ALL WE KNOW.

After a couple episodes away, we return to the New York Times list of best jazz albums of 2023 and finish it off.  It's happier days for the most part.  The boys acknowledge that these selections are all, more or less, actually jazz, and some are even pretty enjoyable.  Jonathan Suazo – RICANO; Mendoza Hoff Revels – ECHOLOCATION; Micah Thomas – REVEAL;  Matana Roberts - COIN COIN CHAPTER FIVE: IN THE GARDEN.

For some fans, the story of jazz saxophone begins with John Coltrane.   This episode, the boys interview Owen Broder, who gives propers to Coltrane's old boss, Johnny Hodges.  Mainstay of the Duke Ellington band and lover of lettuce and tomato sandwiches, the Rabbit (as he was known) possessed the most sumptuous sound ever heard from an alto saxophone and knew every microtone of the territory between each note of the scale.  Owen talks about his Hodges Front and Center duology, other projects in the pipeline and his influences on alto and baritone sax among other topics in this interview.  Owen Broader:  HODGES FRONT AND CENTER:  VOLUMES 1 & 2.

Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years.  How's that for a mouthful (mindful?)  Anyway, good idea until right about now.  Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that fit the bill or even glance in the direction of this anniversary. Next year, all bets are off.  Nat Adderly – THAT’S RIGHT;  Bobby Selvaggio – STORIES, DREAMS, INSPIRATIONS; Gil Evans – PLUS TEN;  Jeff Lorber and Mike Stern – ELEVEN.  IN a very special Pop Matters, Mike mocks the Cocteau Twins and Pat (with Mike's help) questions the sanity of Atlantic Records latest deluxe reissues.

Join our intrepid but grumpy explorers Mike and Pat and they continue their journey through the New York Times Top Ten list of Best Jazz Albums from 2023.  The boys look at three more albums off the list and once again have questions about the selections.  Then they discuss an album from 2023 not on the list, and, naturally, emit rainbows.  We don't recommend you make a game of drinking whenever one of them calls "category error" unless you have a high tolerance for alcohol - and bastardy.  Chief Xian aTunde Adjuah - BARK OUT THUNDER;  Enji – ULAAN; Ambrose Akinmusire - OWL SONG; Myra Melford – HEAR THE LIGHT SINGING.

Humans love making lists, and it's likely this activity will continue until the cockroaches take over.  (Cockroaches mostly love hiding under cabinets).  Some humans on the New York Times made a list of the top 10 jazz albums of 2023.  Pat and Mike take about three selections from that list and one other interesting release from that recently past year. Do they take issue with some of the NYT's choices?  They wouldn't be bastards if they didn't.  Jaimie Branch – FLY OR DIE FLY OR DIE FLY OR DIE (WORLD WAR); Kassa Overall – ANIMALS; Zoh Amba – THE FLOWER SCHOOL; Lafayette Gilchrist – UNDAUNTED.

This episode's title is a wee bit misleading.  The boys don't meet Mr. Mahavishnu (John McLaughlin, of course) but rather Matt Phillips, long-time listener to the podcast who just happened to write a very good book on the famous fusion guitarist called "John McLaughlin - From Miles and Mahavishnu to the 4th Dimension."  The book covers the whole of McLaughlin's recorded career - not just his best known years with the Mahavishnu Orchestra - and our conversation is also wide-ranging.  And, no, Mike hasn't turned into a robot. He just sounds like one because recording zoom is trickier than it seems.

Few players have made the splash in the archival jazz game as Zev Feldman, who has discovered many lost jazz gems (and a little Fool's Gold) and shown how these issues can be events when packaged properly with good artwork and notes.  This fortnight's show looks at two of his recent productions and two historical albums in the Latin Idiom.  Did the jazz detective uncover more classics, or did his deductions go awry?  Tune in to find out.  Cal Tjader – CATCH THE GROVE; Wes Montgomery – MAXIMUM SWING; Ramsey Lewis – GOING LATIN; Grant Green -THE LATIN BIT.

Sometimes Mike's dreams do come true.  Take this all-tuba led episode, for instance.  He's always loved the big horn in jazz groups, and here we delve into five albums spanning the decades led by tuba players.  (Oddly, though, five of the featured leaders were all born within a five year span).  Will the boys come up with deep insights?  Please listen to ascertain.  Howard Johnson – GRAVITY!; Jim Self & John Chiodini – TOUCH AND GO; Dave Bargeron & Michel Godard – TUBA TUBA; Ray Draper – THE RAY DRAPER QUINTET FEATURING JOHN COLTRANE; Bob Stewart – THEN & NOW.

One of the bastards loves holiday music (Mike loves to flex his knowledge-of-obscure-Xmas-tunes-muscles) and so the holiday episode has become an annual tradition.  Luckily, every year at least a few jazz musicians put out a holiday album (if under duress) and archival and historical finds are always there to enjoy as well.  Various Artists – A JAZZ CHRISTMAS; Shorty Rogers – THE SWINGIN’ NUTCRACKER; Louis Armstrong – WISHES YOU A COOL YULE; George Burton – the YULE LOG    Ken Serio – A JAZZY YULETIDE.

At Mike's suggestion, we devote an episode to the recently departed European avant-garde powerhouse Peter Brotzmann.  The sound quality is a bit off.  Pat says he forgot to press "record."  Listeners know he was probably just cowering behind the couch.  Mike  shows us the breadth of the fire-breather's career, touching on a mid-size ensemble session, an electric gig with rock elements, a more introspective duet, and Brotzmann's uncompromising debut.  Pat whimpers.  Peter Brotzmann:  FOR ADOLPHE SAX; GOING ALL FANCY; Last Exit - THE NOISE OF TROUBLE - LIVE IN TOKYO; Chicago Tentet - STONE/WATER.

Jazz - mysterious, challenging, expressive . . . funny?  Rarely, one might think, but some artists display a sense of humor, even if it's subtle.  In this episode, the boys listen to five albums with at least some humorous aspects.  Things rarely get "funny ha ha" but hey, this isn't a Zappa podcast, now is it?  Karen Mantler – BUSINESS IS BAD; George Benson – WHITE RABBIT; Mostly Other People Do the Killing – THIS IS OUR MOOSIC; Horace Silver – JAZZ HAS A SENSE OF HUMOR; Ray Anderson – BLUES BRED IN THE BONE.

It's been a crazy few weeks with an extra order of cray cray on the side coming up, so we're running our first "classic" episode, this one a throw-back to 2013!  Come for the insights you missed, stay to appreciate the slightly more sophisticated editing you've been enjoying the last few years.  Covers are the order of the day as the bastards look at three albums that hew closely to earlier inspirations, with a special focus on Coltrane. John Coltrane – INTERSTELLAR SPACE; Greg Bendian – INTERSTELLAR SPACE REVISITED; Don Cherry – COMPLETE COMMUNION; Tom Varner – SECOND COMMUNION; John Coltrane – A LOVE SUPREME; Wynton Marsalis and the Lincoln Center Jazz Orchestra – A LOVE SUPREME.

We all know "smooth jazz" is a forbidden genre among hard-core jazzbos, but sometimes you run across albums that have no interest in pandering to the listener, but also don't display any rough edges or dirty elbows.  Call it "polished," "refined," "plush," or "mellow" - but don't file it next to Kenny G - or Albert Ayler, for that matter.  Noah Haidu – STANDARDS; Javier Nero – KEMET, THE BLACK LAND; Brad Turner – THE MAGNIFICENT; Matt Ulery – MANNERIST.

Most jazz fans know Dizzy Gillespie's crucial role in the creation of bebop and every good collection should have at least a few tracks from his glory days of the forties.  The man wrote "Night in Tunisia" for heaven's sake!  But what happened later on, after his partner Bird was gone and the listening public had moved on from ooh-bop-sh-bam madness?  In this episode we look at five recordings from the following decade and ponder why a genius-level player like Dizzy struggled after the bebop revolution.  Dizzy Gillespie: SONNY SIDE UP;  HAVE TRUMPET WILL EXCITE; AFRO;  DIZZY GILLESPIE WITH STUFF SMITH;  A PORTRAIT OF DUKE ELLINGTON.

There are many storied jazz venues, but for a great recorded legacy, none quite matches the Village Vanguard.  So many epochal improvised moments put to tape!  So many clinking wine glasses captured for eternity!  Such a matchless, smoky atmosphere of creation in the heat of the moment!  (Insert record scratch here.)  The boys don't look at the best known monuments from the place, but rather start with a lesser known session from the end of the seventies and then examine three brand new "Live from the Vanguard" recordings and ask - is the magic still there?   Kris Davis – LIVE AT THE VILLAGE VANGUARD; Mark Turner – LIVE AT THE VILLAGE VANGUARD; Kurt Rosenwinkle – UNDER COVER, LIVE AT THE VILLAGE VANGUARD; Woody Shaw – STEPPING STONES: LIVE AT THE VILLAGE VANGUARD.

The boys love chasing after the esoteric, the brand new, the little known.  But sometime, we also like to talk about the, well, big label bangers.  That is, big labels in jazz terms, which really means small subsidiary branches of huge media conglomerates, but let's not get into that now.  Some famous names are back this episode and we talk about their latest releases - sometimes a great deal later than their date of death.  Artemis – IN REAL TIME; Brad Mehldau – YOUR MOTHER SHOULD KNOW;  Brandee Younger – BRAND NEW LIFE; John Coltrane / Eric Dolphy – EVENINGS AT THE VILLAGE GATE.

The theme this episode is  - got ya! - there isn't a theme.  What we do have are two mildly historical piano-led recordings by musicians who couldn't be more different if they tried, and two new releases by musicians also pulling in different directions.  Get a large group together and go for eclecticism?  Or just multi-track yourself and add a duet partner to the mix?  You, dear listeners, can pick the approach you like.  Chucho Valdez – LIVE AT VILLAGE VANGUARD; Misha Mengelberg – NO IDEA; Ben Wendel – ALL ONE;   Mehmet Ali Sanlikol - TURKISH HIPSTER .

A music with as complicated and rich a history as jazz is always going to be subject to rediscoveries and reappraisals and we wouldn't want it any other way.  This fortnight's episode focuses on a pioneering practitioner on that truly rare avis, the jazz harp.  Yes, we're diving into the early work of Dorothy Ashby in honor of a new box set celebrating her first six albums.   So throw aside those conceptions of cartoon animals going to heaven and bourgeoisie travelers grooving at the Holiday Inn and join us as we string along with Dorothy.  Dorothy Ashby:  WITH STRINGS ATTACHED (THE JAZZ HARPIST, HIP HARP W/ FRANK WESS, IN A MINOR GROOVE W/ FRANK WESS, SOFT WINDS: THE SWINGING HARP OF DOROTHY ASHBY, DOROTHY ASHBY, and THE FANTASTIC HARP OF DOROTHY ASHBY) .