rePROFilm Podcast

Fat activist Allison Graham talks to photographer Shoog McDaniel about what it was like to be on the other side of the lens for the documentary about their life and art practice. “I want people to see the movie and not be able to see a difference between the beautiful spring water and the beautiful Belly. I want it to be one and the same.” — Shoog McDaniel on the Periodical Podcast“My work is about highlighting bodies and lives that are often overlooked by popular society. I enjoy photographing fat bodies, trans bodies, and queer bodies. People with gap-toothed smiles and missing buttons … I strive to connect the viewer of each photo to beauty within themselves, through understanding the brilliancy of diversity, by showing them that there are many ways to be beautiful.” — Shoog McDaniel, from a statement on ShoogMcDaniel.com Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

It’s a very compassionate thing to do to see yourself as you are and not hate yourself.” — Allison Graham on building fat community in her hometownAdvocate and community-builder Allison Graham joins guest host Emily Christensen for a conversation about why she likes the word fat, body positivity vs. fat liberation, and how anti-fat bias shows up in the work she does as a therapist and advocate for survivors of sexual violence.More recently, Allison has been working to build fat community in Wichita, Kansas, and she discusses her motivation and goals around that work. Stay tuned for Part 2 of the Periodical Podcast, in which Allison interviews photographer and “How to Carry Water” documentary subject Shoog McDaniel. **Allison and Emily do mention weight, weight loss and body size over the course of our conversation. We also talked about sexual violence in the context of Allison's work as a therapist, and advocate. If these are sensitive subjects for you, please take care.Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

Today on the podcast, and the 2nd anniversary of the overturning of Roe v. Wade, Asha Dahya speaks with Florencia Varela of Peace Is Loud and Lela Meadow-Conner of rePROFilm, along with several  filmmakers who participated in the recent Collective Lens Impact Training program to talk about why supporting films in reproductive justice is so important.Peace is Loud is a 501(c)3 non-profit  that harnesses the power of storytelling by women, trans, and nonbinary change makers to mobilize strategic collective action grounded in equity and care. Through our Film Impact Campaigns and Speakers Bureau, we use stories to connect people with tools for action, and strengthen the influence of women-identified and gender-expansive storytellers.Through film and conversation, rePROFilm advocates for reproductive health, justice and bodily autonomy. We lift intersectional issues, using the power of storytelling as a catalyst for knowledge, intention and action. rePROFilm publishes the monthly Periodical, a content drop featuring a curated short film, original podcast & more; and presents in-person screenings across the country. rePROFilm is a project of mamafilm, a 501(c)3 nonprofit organization.Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

On the Periodical Podcast, triple threat Nyala Moon chats about her “Fleabag”- inspired fourth-wall-breaking short film “How to Date While Trans.”Like a lot of actors, Moon had to create the content she wanted to star in. When she was in school, pre-”Pose,” she jokes that most roles for trans people were “dead hooker #87” on “Law & Order: SVU.” She realized she couldn’t depend on others to create the kind of characters she wanted to play.  Moon’s “modern stories for trans people,” are populated with  characters audiences can relate to. She hopes that helps transform how they feel.  Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

“I don't personally believe you can extricate environmental issues from reproductive issues because if a mother is drinking polluted water, what is that going to do to her system? What is that going to do to the system of the baby that she's housing? If she lives in an area where he can see noxious fumes being pumped into the air because of a nearby refinery, what is that going to do to her respiratory system? … If she lives in a food desert, what is that going to do to her strength? All of these things matter.” — Zora Schiltz RouseWhile working as a journalist and editor, Morgan Jerkins noticed a trend: stories and personal essays about the ethics of having a baby in a world marked by rising temperatures and other indicators of climate change. But these stories, she noticed, were always written by white women. “I thought to myself, ‘well they're not the most susceptible to violence, or erasure or lack of care. If anyone should be writing a lot of these stories, it should be black and brown women.’” That recognition was the genesis of “Black Madonna.” In this inspiring conversation, Jerkins and her co-director Zora Schiltz Rouse discuss how they collaborated in order to bring Aziza’s story to life. Follow Black Madonna on Instagram: @black_madonna_bloom  |  @_morganjerkins  |  @zoritapepita  Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

Morgan Jerkins and Zora Schiltz Rouse are young filmmakers working at the thematic intersection of environmental and reproductive justice.Morgan is a New York Times bestselling author and National Magazine Award-winning journalist. Zora is a producer and director who most recently worked on a Ryan Murphy show for FX. We'll be back with their full interview on April 3 — think of it as a post-film Q&A. In the meantime, follow them on IG: @_morganjerkins, @zoritapepitaSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

More than a decade ago, Tyomi Morgan noticed no prominent Black women were talking about sexual health. “Instead of complaining about it, I said, ‘You know what? I’m going to enter into this space.” The sexologist and designer of The Cowgirl Workout sits down with Asha Dahya to discuss how our bodies are hardwired for pleasure, the way cultural B.S. interferes with that reality, and how we can reconnect. “This is part of our humanness. Our sexuality, no matter what it looks like, is a part of our experience. And we get to talk about this … out loud and in the open with medically correct terms.” — Tyomi Morganyoutube.com/@GLAMerotica101Instagram: @realglamazontyomithecowgirlworkout.com | thepleasureacademy.comPeriodical Volume 24Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

“Labor + Justice” is such a tonally wild and imaginative film, we were fascinated to hear a behind-the-scenes conversation about of how it came together. For example, director Sarah Joy Byington researched real-life stories of women charged with crimes after experiencing miscarriages or stillbirths. Their stories inspired her dystopian narrative. On this month’s Periodical Podcast, the director speaks with Asha Dahya about making a shocking-yet-sensitive film. She also shares how motherhood helped shift her own views on abortion and reproductive justice. Ultimately, “Labor + Justice” reflects her own growing understanding of this complex topic, including how it intersects with race, homelessness, and substance abuse. Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

In this moving conversation, Asha Dahya speaks with writer/director Jahmil Eady about how her own birth story inspired the screenplay for “The Bond.” When Eady was born, her mother was incarcerated. She was shackled during labor, a practice that continues in many U.S. states today. During Eady’s teen years, her mother and other activists successfully advocated for anti-shackling legislation in New York state. Both her mother’s story and Eady’s extensive research informed the short film. "This film is meant to be a tool not just for talking about anti-shackling and the issues of giving birth behind bars, but it is also a way for people who have shame and and feel stigma to find one another ... It's a tool for connection. The reality is, in a country where millions of people are impacted by the carceral system, there's so many of us out there." — Jahmil EadySupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

Welcome to this special rePROFilm mini podcast episode, as part of our ‘Films for Thought’ partnership with WISP - a company that specializes in female-focused online reproduction and sexual health treatment. We’ve partnered with WISP to present a repro health movie night on college campuses across the US. At RePROFilm we believe in conversation and filmmaking as a vehicle for sparking change, and I’m so excited to be presenting these interviews with some brilliant filmmakers.Sindha Agha is  the director of ‘Birth Control Your Own Adventure' and is a stop-motion short film featuring Icelandic sheep, clumsy endives and an OB-GYN who talks with the voice of a robot. Sindha uses these creative tools to chronicle her struggle with the side effects of birth control medication, where she was often forced to choose between depression and physical pain. Sindha is a BAFTA-winning and Emmy-nominated director & writer working in film & TV. "Birth Control Your Own Adventure" was distributed by THE NEW YORK TIMES. This was Sindha’s first film, which also went viral with 12.5 million organic views and was nominated for a 2019 News & Documentary Emmy. Ya know, no big deal! Most recently, Sindha wrote & directed the BAFTA-winning comedy series “How to Be a Person”, shown on CHANNEL 4 in the UK. Her work as a writer, producer and director has been seen on Netflix, BBC, The New Yorker, Vox, The Atlantic, MTV and more. - Watch Birth Control Your Own Adventure for free: reprofilm.org/wisp-films-for-thought- Learn more about WISP: hellowisp.com- Sign up for rePROFilm's Periodical: reprofilm.orgSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

Welcome to this special rePROFilm mini podcast episode, as part of our ‘Films for Thought’ partnership with WISP - a company that specializes in female-focused online reproduction and sexual health treatment. We’ve partnered with WISP to present a repro health movie night on college campuses across the US. At RePROFilm we believe in conversation and filmmaking as a vehicle for sparking change, and I’m so excited to be presenting these interviews with some brilliant filmmakers. Aurora Brachman & Jessie Zinn directed the brilliant short film ‘The Gallery that Destroys All Shame’. The film documents a group of women who gather one night in Los Angeles to hear from two sex educators, Pamela and Mychal, who teach the women how to overcome shame and stigma around their bodies, and in particular their vulvas, in a workshop titled ‘Take Back the Speculum’.Aurora Brachman is an award-winning documentary director and cinematographer. Her films explore narratives of intimate relationships within families and communities. Aurora primarily makes work about the experiences of Black, brown, and Queer people and is committed to collaborative and ethical storytelling.Jessie Zinn is an award-winning director from Cape Town, South Africa. Her work often stems from ideas surrounding girlhood, and coming-of-age stories. - Watch The Gallery that Destroys All Shame for free: https://www.reprofilm.org/wisp-films-for-thought- Learn more about WISP: https://hellowisp.com- Sign up for rePROFilm's Periodical: https://reprofilm.orgSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

I know I’m a badass. I do a lot of good things. But I can’t change the mindset of a racist, 50-year-old white cardiologist. What I can do is teach Black women how to care for themselves and to demand the care they deserve (from their doctors).” — Ricki Fairley Ricki Fairley survived an aggressive form of breast cancer. Then she turned her attention to advocating for other Black women, who are 41% more likely to die from the disease than their white counterparts. She founded Touch, the Black Breast Cancer Alliance, to address the inequities she discovered in cancer treatment and research, including the relative lack of Black women who participated in clinical trials. Over the past year Touch has registered almost 14,000 Black women in clinical trials — in other words, this woman means business. In this episode of the Periodical Podcast, Fairley speaks with host Asha Dahya about her personal story and how she continues to disrupt the landscape of cancer treatment. • TouchBBCA.org • BlackDoctor.org / Facebook.com/BlackDoctor.org• For The Love of My Gurls• Breastie LoveSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

The “work wives” behind the dark comedy “Always & Forever” join Asha Dahya on the Periodical Podcast to chat about collaboration, going viral, and how humor is a secret weapon in the fight for reproductive justice. “It's just a proven concept at this point that comedy disrupts the status quo. A little bit of humor, a little bit of entertainment moves the needle. It works.” — Lara Everly“Humor sneaks past people's defenses. It can be a way (in), even for people who agree but might feel like other serious videos feel medicinal … You get them laughing, you get them engaged, and then you come in with the punch at the end.” — Jessica StamenSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

On this month’s episode of the Periodical Podcast, Asha Dahya speaks with the “Long Line of Ladies” co-directors about “a different kind of filmmaking” driven by listening, collaboration, and representation — the non-performative kind.  After making the Oscar-winning short “Period. End of Sentence.,” Zehtabchi wanted to tell a stigma-free story about periods. That led her to researching tribal traditions and ultimately partnering with Tome, an indigenous filmmaker who skipped her own coming-of-age ceremony. To make their film, they established “complete and utter trust” — with each other, but also with the Allens, the Karuk family at the center of the film. Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

The “Who Gets to Parent?” creators join Asha Dahya on the rePROFilm Periodical Podcast to discuss their parenthood story and how they combined storytelling and research to create their documentary series. They also discuss the life-changing power of community building, the blessing of a family ally, and what it’s like to be queer parents who live in Kansas. A truly moving and inspiring conversation — one of our favorites. “We started pouring so much more love into each other and patience into each other because we realized how alone we were on this journey.” — Pere DeRoy• For our Vol. 17 Periodical, we’re sharing Episode 2, “Why IVF?,” and Episode 4, “IVF Check #1/Racism and Physicians.” • WhoGetsToParent.comSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

The idea for “Simone” came to writer-director Aisha Amin after countless hours on public transit observing parents and other caretakers struggling with young children. For our Vol. 16 Periodical Podcast, Asha Dahya speaks with Amin about how she developed the title character in collaboration with actress Cree McClellan, a single mother herself. Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

Periodical Podcast host Asha Dahya chats with “Counterfeit Kunkoo” writer/director Reema Maya Sengupta about how her mother’s struggle to find housing as a single woman inspired her to write a “very angry script.” In a lovely full-circle moment, Reema’s mom served as the producer of the film and helped secure many of the set locations in the Mumbai slum where she grew up. Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

Welcome to our March episode of the rePROFilm podcast. It’s Women’s History Month, and it’s also Oscars month, and we are SO excited to speak with two Academy Award-nominated filmmakers in this episode! Our theme this month is virginity - the conversations we have about it, the cultural taboos, the societal expectations, the ridiculous gender expectations, and why, when it comes to sexuality and youth, focusing on healthy communication rather than shame or fear-based messaging, is perhaps a better way forward. And what a better and more effective way to share messaging, than in film. In this month’s rePRO Periodical we are highlighting a short film called ‘My Year of Dicks’, which is an Academy Award contender for Best Short Animated Film, written and created by Pamela Ribon and directed by Sara Gunnarsdóttir. It’s based on Pamela’s 2014 memoir, “Notes to Boys (and Other Things I Shouldn’t Share in Public)” which documents her resolution to lose her virginity as a 15-year-old in 1991 while growing up on the outskirts of Houston. The film is broken down into 5 chapters and five different awkward sexual encounters, with some kinda douchey guys. Style-wise, it’s giving me 90’s MTV vibes - with a moody, grunge soundtrack, a mixture of real film footage of a teenage Pamela, and some bold yet sensitive animation from Sara. Now if you aren’t familiar with the names Pamela Ribon and Sara Gunnarsdóttir, you definitely know their work. Pamela is a writer, best known for her work on Disney’s Moana and Ralph Breaks the Internet. She’s a best-selling novelist, and co-host of the podcast Listen To Sassy, a weekly deep-dive through every issue of Sassy Magazine. Sara is a director and artist from Iceland who has created animation, music videos, and original artwork for film and television, including Marielle Heller’s debut feature “The Diary of a Teenage Girl,” and HBO’s Emmy-nominated “The Case Against Adnan Sayed.” She is one of 3 Icelandic artists nominated in various categories at the Academy Awards this year, and in keeping with Women’s History Month, Sara is the first Icelandic female director to be nominated for an Oscar! We hope you will enjoy this conversation filled with sexual innuendos, lots of giggles, and a powerful conversation about how we dismantle harmful ideas around virginity. Take a listen to our interview! Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

REHEARSAL with special guest Courtney Hope ThérondThe “Rehearsal” writer/director talks to Asha Dahya on the Periodical Podcast about how her own on-set experiences inspired her short film. Maybe if she could demonstrate how intimacy scenes can go awry, she thought, others might understand how problems can arise even between people who trust, care for, and respect each other. Tune in to find out how audiences reacted.Support the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!

With special guests “Miso” director Kelly Walker, writer/director/producer Mariah Bess, and actor/producer Alex SgambatiAsha Dahya speaks with three women behind “Miso,” a short film about a doula-assisted, at-home abortion. The trio talk about how they want “Miso” to be an entrance point for audiences to learn about abortion doulas, abortion pills, and Plan C, the organization that gives people the information they need to safely end their own pregnancies at home. They also chat about combining advocacy and narrative, creating their ideal on-set experience, and their Oscar campaign.“I knew that I wanted to tell a story about relationships and how people come together through these embodied processes … I wanted to show how a person moves through this moment in their life and how they connect with another person in real time.” — Mariah BessSupport the Show.If you haven’t already, subscribe to our monthly newsletter where you will get each episode of the pod straight to your inbox. Learn more at reprofilm.org or at @reprofilm The rePROFilm Podcast is executive produced by mamafilm. Looking forward to bringing you our next conversation!