Music Life and Times

Where you find great jazz in Atlanta, there’s a good chance you’ll find Kevin Smith on bass. The Florida State grad became enamored with the instrument early in life, chose in fact, orchestra over band in school because the orchestra had a bass, then became enamored with jazz, hearing it for the first time in person from a group that included Music Life and Times podcast co-host Kevin Bales. An educated player who reads as well as he improvises, Kevin is as comfortable with a classical score as he is on stage with a makeshift jazz combo. As a teacher, he is intimately involved with the Atlanta Music Project, a program of the Atlanta Mayor’s Office of Cultural Affairs providing world-class music training to youngsters in under-resourced communities.

On Friday, November 15, 2024, Vinnie D’Agostino led a group of four premier jazz musicians, including our podcaster Kevin Bales on piano, at Atlanta’s Red Light Café for a night of intensity and energy aptly advertised as “Feel the Burn.” Vinnie, who was our featured guest in Episode 16 of Music Life and Times, began his professional music career on saxophone in his teens, then steered his life toward the corporate world, holding positions with the Department of Defense and more than 30 years with Coca-Cola retiring as Director of Global IT for Global Human Resources Technology. Now he’s back, he’s full time and full energy into music, leading as well as playing as a sideman with other highly accomplished jazz musicians. Vinnie talks about playing jazz, what distinguishes his approach to his music, and the lessons he brings from the corporate world back to his renewed commitment.

Dave Finucane talks about his Durham Jazz Workshop, a nonprofit arts organization dedicated to preserving and promoting jazz music in North Carolina. The Workshop, which he co-founded with his wife Valerie Courreges, offers jazz education programs, including instruction in improvisation, music theory, and performance techniques, to aspiring musicians of all ages. The Workshop’s Sharp 9 Gallery Jazz Club presents live performances featuring renowned jazz musicians—local, regional, and international. By fostering a vibrant jazz scene and supporting the professional development of musicians, Finucane explains, the Workshop contributes to the cultural vitality of Durham and beyond.

Kevin talks with Randy Hoexter upon the debut of his latest album, Tomorrowsville. They discuss his musical upbringing and how he became enthralled with the creation of music—that is, composing as well as playing. His style is described, at least on one hand, as “intricate,” a definition that is well supported in his playing and recordings. But while intricacies are central to his compositions, the end result is unquestionably musical, pleasing and listenable, even to the untrained ear.

Ralph Miriello has been reviewing new—and old—jazz recordings since 2007 for publications like Downbeat and currently through his blog, Notes on Jazz.com. A passionate fan of jazz, Ralph spent much of that time in Atlanta before moving to the West Coast, in Washington State just outside of Portland, Oregon. In this episode of Music Life and Times, Ralph talks about his work as a jazz journalist and about the universality of the music, and shares his passion for everything jazz.

A tradition among jazz musicians is bringing along younger players, giving them a chance to mature and grow their skills as well as their love of playing. The tradition plays itself out in many ways, such as in jam sessions, university jazz programs, and private lessons, but also through organizations like the Hilton Head Island Junior Jazz Foundation. Kevin is on the board and this year again, assembled five young musicians from around the country to perform for audiences, first at the Velvet Note jazz club outside of Atlanta then in Hilton Head for the annual Junior Jazz Foundation celebration. Kevin and Mike talk about the uniqueness of the jazz community, which includes supporters and audiences, as well as musicians, in how welcoming they are and dedicated to nurturing new, young talent—and about the lifelong relationships those assemblies lead to.

Russell Malone was not only a world-class jazz guitarist but someone known for reaching out to other musicians, showing interest in them, and encouraging them, as he did so frequently with our podcast host Kevin Bales early in his career. Kevin shares some memories of his times with Russell and talks about mentoring and music, and how common it is for great players like Russell to mentor the up-and-coming.

Persistence: You won’t get far without it. Learning to play music well is hard; progress can be slow, very slow; you can be tempted to quit. Kevin and Mike share experiences of their own as well as stories of some of the greatest musicians of all time, including Charlie Parker and Ludwig von Beethoven, and how they worked to overcome obstacles and persisted when it might have been easier to give up.

It’s not easy to learn to play music, especially to learn how to play well. It takes a great deal of work—we call it practice—and practicing in a way that leads to meaningful progress. As well, the more you learn, that is, the better you play, the more work it takes to make progress. You also learn by making mistakes, and if you make mistakes on the job, that’s a hard lesson; it can be humbling. That’s where your resiliency comes into play. So yes, learning to play teaches you to be resilient, which will help you learn to play well, and when you learn to play well, it’s a joy for life.

The relationship between player and instrument can be life-long. You might go through several instruments as you learn to play and learn what you like in your instrument, but once you find the one, it’s a marriage that endures. Some players even assign names and genders to their instruments. On a recent trip to the Steinway factory in New York, Kevin was hosted for a tour of the entire facility and was able to observe the craftsmen and women as they built some of the world’s finest pianos. What makes a great instrument and how do instruments, in particular pianos, differ? These insights will be particularly enlightening to people looking to buy a piano.

A Joyful Sound As a child taking piano lessons, Joe Alterman was impressed, more so bowled over, by a guitar player named Doc Watson and his boogie style. From those seeds emerged the joyful sound that characterizes Joe’s playing. Among his idols, his mentors, was the incomparable Les McCann. Much of Joe’s work today, including a recent album, “Big Mo & Little Joe,” and several ongoing projects, involves giving new life to the incredible wealth of music McCann created.

Matt Miller, a native of the Philadelphia area and a graduate of the heralded The New School in New York City, is a busy member of the Atlanta jazz community, featured regularly in various combinations of musicians, from trios to big bands. Matt talks about his responsibilities as a performer to his fellow players and his audiences, and how learning to play music teaches his young students responsibility and other life lessons.

Jazz Vocalist and Music Educator Karla is in the midst of an admirable career, not only as a performer and recording artist with top billing at some of the country’s most notable venues and festivals but also as an educator ensuring that future generations have access to the arts. Well-known for her performances, she has also been recognized now for her work in the area of education as one of Atlanta Magazine’s “Women Making a Mark in 2024.”

Joe Gransden has built his brand on multiple levels, perhaps best known as big band leader, heading up the 16-piece group of jazz musicians that filled Café 290 on Monday nights for more than 12 years and continues to entertain at venues and events around Atlanta and beyond, as well as performing with a variety of combinations for a variety of gigs, from restaurants to corporate parties to his own popular jam sessions.

At 57, Roderick Harper is gaining steam. A versatile artist with both jazz and R&B albums, he calls on a background that started as early a small child singing along with TV commercials, through early lessons in the American Songbook and a minor in jazz studies at Southern University, to a performer audiences love for the passion and integrity of his singing. Mike and Kevin talk with Roderick in between two nights of his performances, accompanied by Kevin, at the Atlanta-area jazz club, The Velvet Note.

Every Elton John has his Bernie Taupin. Jerome Kern had to have his Oscar Hammerstein. Even Duke Ellington needed a Billy Strayhorn or Irving Mills or Bob Russell. Point is, a song isn’t much of a song without lyrics, and how lyricists and composers work together, if unique to each pair, is one more example of the cooperation involved in making great music.

Consistent with the podcast’s focus on the life lessons that learning to play music teaches, Kevin and Mike talk about musical conversation, that is, how musicians playing together collaborate, listening to each other and accommodating each other’s playing, to create better music.

Whether you’re a youngster who wants to learn how to play an instrument, or a parent who recognizes the value of music in their child’s education, or an adult who has never played but wants to learn how, it’s never too early or too late to start. Kevin shares insights on how to get started from his three decades of teaching young and adult students.

People who make their living playing music typically do a lot of travelling. While some might have a house gig in their hometown, most find themselves in venues that take them to different parts of their country and even around the world. Those experiences—that breadth of experience—combine to be one of the great benefits of life as a musician.

From Bill Evans to Oscar Peterson to Ahmad Jamal to Charlie Parker to John Coltrane to Miles Davis, and on and on, each of the great players is distinguished by their own unique style. In this podcast, Kevin talks about the some of those legends and how they expressed themselves, and he and Mike discuss the importance of individualistic expression—that is, to perform from your heart—to all music.