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2000 Jazz Interview in New York City: I. Early Background
2000 Jazz Interview in New York City: II. Education
2000 Jazz Interview in New York City: III. the Notes Remain the Same
2000 Jazz Interview in New York City: IV. Melody
2000 Jazz Interview in New York City: V. Jazz Education Today
2000 Jazz Interview in New York City: VI. Music Rewards
2000 Jazz Interview in New York City: VII. Leading to the First Record
2000 Jazz Interview in New York City: VIII. Trio in the 70s
2000 Jazz Interview in New York City: IX. Bright Size Life
2000 Jazz Interview in New York City: X. Losing Perspective
2000 Jazz Interview in New York City: XI. Studio vs Live Work
2000 Jazz Interview in New York City: XII. the Recording Studio
2000 Jazz Interview in New York City: XIII. Gained Popularity
2000 Jazz Interview in New York City: XIV. Musical Integrity
2000 Jazz Interview in New York City: XV. Easier to Be a Jazz Guy
2000 Jazz Interview in New York City: XVI. Push Boundaries
2000 Jazz Interview in New York City: XVII. Personality
2000 Jazz Interview in New York City: XVIII. Jaco Pastorius
2000 Jazz Interview in New York City: XIX. Lyle Mays
2000 Jazz Interview in New York City: XX. Composing with Lyle Mays
2000 Jazz Interview in New York City: XXI. Keeping up with New Music
2000 Jazz Interview in New York City: XXII. Smooth Jazz
2000 Jazz Interview in New York City: XXIII. Energy
2000 Jazz Interview in New York City: XXIV. Contemporary Figures in Jazz
2000 Jazz Interview in New York City: XXV. People Have to Die
2000 Jazz Interview in New York City: XXVI. Touring vs Playing for a Week
2000 Jazz Interview in New York City: XXVII. Radio Interviews Are a Standard Tune
2000 Jazz Interview in New York City: XXVIII. Future Projects
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