The Lonely Palette

Tamar Avishai

Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. For more information, visit thelonelypalette.com | Twitter @lonelypalette | Instagram @thelonelypalette. read less

Our Editor's Take

The Lonely Palette is a podcast about art history. Tamar Avishai is the creator and host of the show.

Avishai is a multitalented person. The podcast host has a background in art history, and lectures at the Museum of Fine Arts, Boston. She owns an audio production company and produces podcasts. She also writes and does voice acting. The Lonely Palette combines two of her skills-audio production and art.

For every podcast episode, Avishai selects a work of art. She provides social and historical context for the piece and describes it in detail. She quotes from interviews with the artists or writings they have left behind. She explains their process, how they view the world, and how they convey that worldview to others. She explains the techniques they use. Then, she draws parallels with other artists who used the same technique in other contexts. Her talk shifts to a method or event in the art world. Avishai makes connections between art in different historical eras.

Avishai chooses pieces from a wide range of eras and styles for The Lonely Palette. She features art from famous painters such as Monet, Seurat, and Picasso. American Gothic and The Great Wave off Kanagawa each get an episode. But most of the works she discusses are less familiar to the casual listener. There are contemporary pieces that can sometimes feel less accessible. Avishai's explanations invite listeners to view them in different ways. She enlightens readers puzzled by Rothko, Kandinsky, and Magritte. Pop art by Lichtenstein and Warhol gets the Avishai treatment. She also features photographers, including Ansel Adams and Henryk Ross. In addition, she discusses women artists like Frida Kahlo.

Over light jazz music, Avishai opens up the world of art for her listeners. Where there was a painting before, an artist's powerful statement about their world now stands. Each episode contains so much information that it needs digesting. The Lonely Palette is a fantastic listen for anyone who wants to discover the world of fine art.

read less
ArtsArts

Episodes

BonusEp. 17 - The Hub & Spoke Radio Hour
Feb 14 2024
BonusEp. 17 - The Hub & Spoke Radio Hour
The Lonely Palette, as you've heard so often, is an enormously proud founding member of the Hub & Spoke Audio Collective, a group of fiercely independent, story-driven, mind-expanding podcasts. Since 2017, we've supported each other while forging our own paths, prioritizing craft and humane storytelling above all else.Now, if you haven't noticed, media in general, and podcasting in particular, is in a space some may generously call post-apocalyptic. But an incredible silver lining is that the industry is now recognizing how important independence is. We've been here all along, and with your support, we're not going anywhere.Please enjoy a bonus episode of the Hub & Spoke Radio Hour, a tasty sampler of a few of our shows in a dapper audio package. Today's theme is love. As the philosopher Haddaway once asked, what is love? It turns out, love can be anything that stirs the heart: passion, grief, affection, kin. The desire to consume; the poignancy of memory. Here at Hub & Spoke, we want to stretch our arms, and ears, around it all.This episode is hosted by Lori Mortimer and edited by Tamar Avishai. Production assistance from Nick Andersen. Music by Evalyn Parry, The Blue Dot Sessions, and a kiss of Dionne Warwick.Listen to the full episodes:- Rumble Strip, “Forrest Foster Lays Karen to Rest”- Mementos “Cherie’s Letters”- Ministry of Ideas, “Consumed”- The Lonely Palette, “Jean-Honoré Fragonard's The Desired Moment (c. 1770)”You can also share the love by supporting our Valentine’s Day fundraiser: www.hubspokeaudio.org/love
BonusEp. 08 - Tamar Avishai interviews Dar Williams, Singer-Songwriter
Oct 7 2022
BonusEp. 08 - Tamar Avishai interviews Dar Williams, Singer-Songwriter
Dar Williams has been described by The New Yorker as “one of America’s very best singer-songwriters,” but to thirteen-year-old Tamar she was, quite simply, a personal hero: a songwriter whose poetry, poignancy, and humor could capture at once the authentic voices of an inner child, a searching young adult, and a wizened sage. We met in person in 2013 at Dar’s songwriting retreat, and our friendship has been evolving ever since, exploring together the rigors of writing and storytelling through sound and song, and what it means to dip in and out of a creative space as a way of simply getting through the day.Dar has recently published a book about songwriting that is chock full of philosophical wisdom and applicable nuggets, many of which borne from a decade of retreats. We sat down together to talk about songwriting, art museums, the art of writing songs about art, and specifically her evocative, ambivalent "Mark Rothko Song," which tackles it all head-on.[2:05] Dar’s relationship with museums and creating a space for poetic thinking.[8:40] Specific museums, exhibitions, paintings that have inspired Dar’s songs: Dia, “Made in America,” the Fogg.[11:45] Writing Mark Rothko Song.  Where did Dar go?  Where did Dar really go?[14:45] The difficulties inherent in writing about art.  What prompted the writing of this song?  Dar’s first encounter with Rothko’s “Untitled (Blue Green)” and the first verse.[20:15] Diving into the prosody of the song, how the music and lyrics support the voice of the song: finger picking, major to minor, chord to chord, key to key, mood to mood.[27:41] Return to the lyrics and narrative.  The way that Rothko encourages people to make subjective associations…but then comes the foil of the second verse, creating the contrast between subjective and objective.[33:52] The song’s dueling (or complementary?) aha moments in the bridge and final verse.  People both love Rothko and struggle to connect to him.  Following the narrator’s journey as she wrestles with seeing something versus knowing something.[45:47] Appreciating an honest song about art viewing that doesn’t flatten the characters.  Reflecting on the elements of the song that hold up as Dar has gotten older.[51:19] The similarities between art museums and songwriting retreats: opening up, engaging poetic thinking.[55:28] Also the hazards of living in a space of poetic thinking, especially as a parent.  The necessary objectivity of the caretaking space.[1:02:20] The “Five Things” Rule, and whether Mark Rothko might just be the exception that proves the rule.  Tamar meets her Rothko and gives hope to kind pedestrians everywhere.[1:09:14] Mark Rothko Song in full.Music Used:Dar Williams, “When I Was A Boy”; “Mark Rothko Song” (live); “The Beauty Of The Rain”; “Mark Rothko Song” (album version)Episode Webpage:bit.ly/3RJm9AkSupport the Show:www.patreon.com/lonelypalette