The Last We Fake

Send us a textUsing acting-school chops to conquer her deeply ingrained instinct to run away, Wanda finally phones for the directions to St. Jude's Hospital. But the flickering world at Sunset and Vine floods her with memories--from golden visits to the Hollywood Ranch Market, to the high-rise vistas behind casting couches where she used to fight her way free, to The Brown Derby. . . The Smoke House . . . the warm safety of Coffee Dan's. And is that Tab Hunter as Jesus in the revolving glass? Catherine Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms. Closing credit music for Season 3 is performed by Ben Rifkin. Podcast art by Ryan Longnecker.We have double publishing news!!  Season Two’s novel, Sunland by Charlie Haas, has just been released in print by Beck & Branch with a new title, The Current Fantasy ("Heart, soul, art, and the promise of Giant Vegetables... perhaps the last great untold chapter of the California Story." —Don Wallace).  Purchase on Amazon! https://www.amazon.com/Current-Fantasy-Charlie-Haas/dp/B0DJ1TJV82/ref=sr_1_1?dib=eyJ2IjoiMSJ9.tuTmk2PLbYrhl35vNF26hNKifzMVNLxUX5sbuZKxIrSaOzMPlYjB5Uys5Y1YQ2ED1dDgQKbH8KqXAWxZaLQCQTt-KHNyPXOjQoh_573_J3WAGlt6ZVeniX-tqsXmWnQ3.CsBj4yVK4jbIFxGRKRiHullCZ9rJF1jsg1L23qgiuZE&dib_tag=se&qid=1728574532&refinements=p_27%3ACharlie+Haas&s=books&sr=1-1Season One’s novel, The Drift That Follows Will Be Gradual by Alan Rifkin, has just been released in print by Open Books (“A delectable tour de force through our fractured culture—witty, wise, memorable, and touching.”—Richard Bausch). Purchase on Amazon! https://www.amazon.com/Drift-That-Follows-Will-Gradual/dp/1948598795?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=ATVPDKIKX0DER

Send us a textAchieving a moment's peace between mind and body in the bathroom of June's trailer after the aborted three-way, Wanda staggers off toward a darker reality ...fully reassembled, although, yes, forgetting her horse ...  But in the shelter of her own Daytalk dressing room, teen memory is rounding the corner from summer's sewing with the relatives to riding with boys.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk who, in the spring of 1962, must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms. Closing credit music for Season 3 is performed by Ben Rifkin. Podcast art by Ryan Longnecker.Publishing news!!  Season Two’s novel, Sunland by Charlie Haas, is being released in print on October 15 by Beck & Branch with a new title, The Current Fantasy. Visit: https://www.beckandbranch.com/the-current-fantasy. Season One’s novel, The Drift That Follows Will Be Gradual by Alan Rifkin, will be released August 1 by Open Books, where it is already available for pre-order. Visit https://www.open-bks.com/library/moderns/the-drift-that-follows-will-be-gradual/order.html

Send us a textThis week's episode:  "The Playwright,” a remarkable new short story by first-year talent Natalie Goss, about the subdued heart of a young Los Angeles theater reviewer-turned-dramatist who's losing the script.  Goss is a Child Development and Family Studies major now contemplating a minor or possible double major in English. She dreams of publishing a collection of both fiction and nonfiction, enjoys painting when not reading or writing, and hopes to become a counselor for the public school district of Oakland, where she was born and raised.  The story was developed in a lower-division fiction workshop at California State University, Long Beach.Intro and outro music is from the song Slow, performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms. Podcast art by Ryan Longnecker. Publishing news: Season Two’s original novel, Sunland by Charlie Haas, is being released in print this October by Beck & Branch with a new title, The Current Fantasy. Visit https://www.beckandbranch.com/the-current-fantasy. Season One’s novel, The Drift That Follows Will Be Gradual, will be released in August by Open Books, where it is now available for pre-order. Visit https://www.open-bks.com/library/moderns/the-drift-that-follows-will-be-gradual/order.html Catherine Hein's novel THE CELEBRITY resumes next week.

Send us a textIt's production as usual in Hotchkiss's office, despite the fact Sparks has landed in Good Samaritan, Wally Cleaver is sneaking cigarettes in fear of his dad, and Wanda's fixations lurch from suicide by graham crackers to the long-ago memory of a then-dark-haired actor at Sardi's (so she HAD slept with Chase McSteve!) to the sweaty three-way inside June's wardrobe trailer that Wanda badly doesn't want until she badly does.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk who, in the spring of 1962, must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textSomehow surviving an equestrian gauntlet of obstacles capped by an AWOL 14-year-old Wally Cleaver (“Will you go out with me when I get my license?”), Wanda has finally managed to dial out and hear the terrifying news about her grandmother. But her stage presence is nearly shot when the rotund, legendary fright maestro who directed The Crows and 57 Stairs finds her sitting in his office chair.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk who, in the spring of 1962, must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textThis was nothing like being a lamp ray glued to the back of Chase McSteve. Still, the weird-looking horse seems safe, until an explosion on the set of Abilene sends both Wanda and panicked beast off course--close enough to the home of television's Cleaver family that she could practically raid the fridge, while no closer to a word from grandmother than when she threw a jealous tantrum at Howard that same morning. In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk who, in the spring of 1962, must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a text"In a couple days, either this would all prove to be a huge comedy of errors, or nothing would ever be the same...."It's existential overload for Wanda, as sex life, pet care, family catastrophe and unanswered phones collide with an all-powerful tub of vanilla ice cream.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel  traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962.Called to her grandmother's funeral in Orange County, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a text[UPDATE TO LISTENERS: Recordings for Catherine Hein's The Celebrity are on pause for a few weeks while she gets through some health procedures and related tsuris. Wanda will be back! Correspondence and well wishes may be sent via info@alanrifkin.com. Thanks for your understanding.] This week: Some people are the type to jump on a message marked "Urgent." For Wanda, it's complicated.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel  traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962.Called to her grandmother's funeral in Orange County, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textHalf-buzzed from a night of more sex than rest with Howard the Ex, and done dirty by Dexatrim, Wanda is about to get even higher when the après le bain interview with Chase McSteve leads to deep kissing and a motorcycle date in the works.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel  traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962.Called to her grandmother's funeral in Orange County, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early ‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textWanda's moonlit drive on Mulholland turns into a hillside sleep-it-off, causing her to miss a big production meeting;  then Howard somehow gets a foot in her door on the eve of her location swim with Chase McSteve.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel of early '60s Hollywood traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962. Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early-‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textWanda survives her first appearance on the new show, but careful what song you perform afterward with a broken heart.In what one listener describes as "Once Upon a Time in Hollywood" if it were written by a woman, Catherine Hein's historical novel of early '60s Hollywood traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962. Called to her grandmother's funeral in Orange County, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early-‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textThere goes Wanda's diet after encountering ex-boyfriend Howard on the eve of her Daytalk debut. Catherine Hein's historical novel of early '60s Hollywood traces the journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962. Called to her grandmother's funeral in Orange County, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig. . . if the world doesn't change too much first.Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume novel of early-‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textSeason 3's novel, THE CELEBRITY, by Catherine Hein, traces the Hollywood journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's Daytalk in the spring of 1962. Called to her grandmother's funeral in Orange County, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig—if the world doesn't change too much first. Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume, 1,150-page historical novel of early-‘60s Hollywood, was born.Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She now holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach. Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credit music for Season 3 is performed by Ben Rifkin.Podcast art by Ryan Longnecker.

Send us a textSeason 3's original novel, THE CELEBRITY, by Catherine Hein, traces the Hollywood journey of Wanda Fleming, the tenacious, calamity-prone co-host fatale of TV's "Daytalk" in the spring of 1962. Called to her grandmother's funeral, the heroine must face life without her closest ally, settle on one lover, conquer her eating disorder, and ace a round of Password in order to secure a coveted game-show gig—if the world doesn't change too much first.  Hein's former life took her from 20 years in the entertainment industry to two years in a homeless women's shelter. That's where Wanda, the reigning spirit of this epic two-volume, 1,150-page historical novel of early-‘60s Hollywood, sprang to life. Hein's other writing credits include The Bob Newhart Show and a children's story series in The Los Angeles Times about a traveling circus in occupied France.  She holds a master’s degree in English and an MFA in Fiction from California State University, Long Beach. Trailer music is by Ben Rifkin. Podcast art is by Ryan Longnecker. Premieres May 2023

Send us a textFor this Season 2 finale, Lisa Cupolo reads her story "Whisper Screaming," about a Long Beach mother and actor whose inner question won't let her go, then talks with Alan Rifkin about the ghostly buffalo of Catalina Island. Cupolo's debut volume, HAVE MERCY ON US, recently won the W.S. Porter Prize for short-story collections. Her work has appeared in The Virginia Quarterly Review, Ploughshares, Narrative, The Idaho Review, and elsewhere. She has been a paparazzi photographer in London, an aid worker in Kenya, a script doctor in LA, and a literary publicist at HarperCollins in Toronto. A native Canadian, Cupolo teaches at Chapman University and lives in Orange, California with her husband, the author Richard Bausch, and their daughter, Lila.

Send us a textRichard Bausch (“A master of the novel as well as the story ” —Sven Birkerts, The New York Times)  previews a chapter of his 13th novel, PLAYHOUSE, scheduled for release by Alfred A. Knopf on February 14, then talks with Alan Rifkin about the book and his craft. Bausch’s works have appeared in The Atlantic Monthly, Esquire, Harper’s, The New Yorker, Narrative, Gentleman’s Quarterly. Playboy, The Southern Review, New Stories From the South, The Best American Short Stories, O. Henry Prize Stories and The Pushcart Prize Stories; and they have been widely anthologized, including in The Granta Book of the American Short Story and The Vintage Book of the Contemporary American Short Story. The Modern Library published The Selected Stories of Richard Bausch in March, 1996. He has won two National Magazine Awards, a Guggenheim Fellowship, and a Lila-Wallace Reader’s Digest Fund Writer’s Award, the Award of the American Academy of Arts and Letters, and The 2004 PEN/Malamud Award for Excellence in the Short Story. In 1995 he was elected to the Fellowship of Southern Writers. In 1999 he signed on as co-editor, with RV Cassill, of The Norton Anthology of Short Fiction. Since Cassill’s passing, in 2002, he has been the sole editor of that prestigious anthology. Richard is the 2013 Winner of the REA award for Short Fiction. He is currently a professor at Chapman University in Orange, California. Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Learn more at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Podcast art by Ryan Longnecker.Special thanks to Ben Rifkin.

Send us a textRetired Episcopal priest Gary Commins shares a new short story, "Priest and Victim," in which a pastoral meeting with a childhood rape victim turns over secrets both buried and not. Commins is the author of Spiritual People, Radical Lives as well as Becoming Bridges: The Spirit and Practice of Diversity and If Only We Could See: Mystical Vision and Social Transformation.  His newest book, Evil and the Problem of Jesus, is forthcoming in 2023.

Send us a textFour-time TEXTE.WIEN https://texte.wien/ Junge Literatur competition finalist Fanny Koelbl reads and discusses her new story, “Le Weekend,” then talks with Alan Rifkin about the fathomless collusion between love, biology, and the willingness to drown.  Koelbl has previously studied in Vienna and Paris.

Send us a textCameron Gomez reads his vision-filled but deeply human short story "Volcanoes, from Above: Oil on Canvas," then talks with Alan Rifkin about amusement parks out of season, risky career choices, and stories that decide not to be snarky and ironic. Gomez is a third-year English major at California State University, Long Beach, who dreams of glory, riches, and a better haircut. "Volcanoes..." is his second published work of fiction.

Send us a textWriter Brooke Prado reads her macabre, symbolically rich but never quite implausible modern parable, "The Hollow Book," developed this fall in an upper-division fiction workshop at California State University, Long Beach, then talks with Alan Rifkin about the perils of reading in the dark.  Prado's work has been published in multiple journals, including Chaffey Review and Queer Sci Fi Anthology, as well as various contests online.  A fourth-year undergraduate majoring in English, she is at work on a short-story collection tentatively titled "Mother Oh Mother" and the first of what she hopes will be a long list of published novels. Follow her @brooke.prado on Instagram.