Deep Cut rounds out its study of Malian/Mauritanian master director Abderrahmane Sissako with his first two fiction features: Life on Earth (1998) and Waiting for Happiness (2002). The documentary-fiction hybrids provide an illuminating keystone in understanding Sissako’s later, more complex works. Wilson prefers the deep well of sadness in Waiting for Happiness, but Eli adores the celebratory simplicity of Life on Earth. Meanwhile, Ben reconsiders his approach to the wholly unique, unplaceable films of Sissako.

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