Listen Ad-free

Ongoing History of New Music

Curiouscast

Ongoing History of New Music looks at things from the alt-rock universe to hip hop, from artist profiles to various thematic explorations. It is Canada’s most well known music documentary hosted by the legendary Alan Cross. Whatever the episode, you’re definitely going to learn something that you might not find anywhere else. Trust us on this. read less

Our Editor's Take

“There's nothing really quite like this show,” says Canadian radio stalwart Alan Cross. “Try it once, and you'll get hooked. Trust me.” He's talking about the Great White North's favorite music podcast, Ongoing History of New Music. What's so addictive about it?

In the trailer for the show, Cross explains the program's goal. It's “to provide context. And background. And perspective on the music you love.” For instance, rock & roll and tattoos go hand-in-hand, right? But has anyone explored how the phenomenon went mainstream in the music world? Cross devotes an entire episode to it.

Or take the episode “18 Bands Who Changed Lead Singers.” Almost everyone knows about Van Halen and AC/DC. They found even greater success after their original singers either quit or perished. But besides those two, who else immediately comes to mind? Does Cross actually have sixteen others to talk about?

He sure does. Plus he covers music success stories who were late bloomers. Musical offspring of famous parents receive an episode. He speaks in great detail about the concept of selling out—so much detail, in fact, that it requires two episodes.

And all these examples are only from the first half of 2022! Indeed, when it comes to getting the most out of music, “context is everything,” Cross says. “You've gotta know the details.”

Well, Ongoing History of New Music is here to help. Because as Cross insists, “The more you know about music, the more meaning it has and the greater the emotional impact. And everybody wants that, right?”

read less
The History of the 2010s Part 3: The New Genres
Available on Sep 27 2023
The History of the 2010s Part 3: The New Genres
It must have been so easy to write about rock back in the 50s...comparatively easy to today, i mean...everything was so new that that’s all you had to pay attention to...there wasn’t exactly anything called “rock history” back then because the music had no history... What began as a spark in the early 50s turned out to be the musical equivalent of the cosmological big bang...and as the years and decades passed, this music—which began as a fresh take on the 12-bar blues template—separated, segmented, stratified, mutated, evolved—with increasing speed... New genres began to appear yearly, monthly, and sometimes even weekly...today, it seems like every single day results in some kind of derivative spin-off sub-sub-sub-sub-genre... The new sound and approach may gain traction and stay with us for some time, perhaps even carving out its own permanent space in the rock universe...more likely, though, a new genre will have a half-life shorter than hydrogen 7...and to save you from looking that up, that’s a tiny, tiny fraction of a second: a decimal point followed by 23 zeroes... But there’s no stopping the fission and fusion of rock...we’re always going to get new sounds...keeping up with them all is another matter... This is part of what makes writing a musical history of the 2010s so challenging...the number of iterations rock went through in that decade was insane...but if we’re going to understand what happened to rock during that time, we’re going to have to at least try... This is the history of the 2010s, part 3...
The History of the 2010s Part 1: Rock Struggles Again
Sep 13 2023
The History of the 2010s Part 1: Rock Struggles Again
We never know we’re living through history as it happens...for example, if we’re trying to assess what happened in a particular decade, we can’t really do it justice if we attempt to analyze things day to day...you need a break, a little time for things to settle into place when it comes to the grand scheme of things... Take the 60s, for example...this sounds a bit weird at first, but they didn’t end when the calendar flipped over to January 1, 1970...decades have momentum—sometimes a hangover—that carries things forward for a year or two or even three afterwards... For example, the 50s carried on until probably 1963...it took the assassination of JFK to really kick off the new decade...historians have made convincing arguments that the 60s didn’t end until 1972-ish... The 70s may have ended relatively on time, brought about by things like the death of disco, a terrible recession, the election of Ronald Reagan, and other markers that said the “me decade” of 70s were done... I’d say that the 80s ended by the end of 1991, thanks to the first gulf war, another awful recession, and a wholesale sea change in music as we quickly transitioned from a world awash in hair metal to the new alternative generation... I’d put the end of the 90s in 2001..buried by 9/11 and the retaliation that followed, the rise of the internet, the bursting of the dot-com bubble, and the end of the traditional music industry, the introduction of the iPod... The aughts?...that’s another decade that I feel ended on time...so much came to a screaming halt with the financial crisis—the great recession in 2008—and by the time the clouds parted, we were done with that decade... This leaves us at the dawn of the 2010s which was one of the few decades that started right on time...and for the next 10 years, we saw everything from prosperous economic growth to the rise of authoritarism...and technology?...wow...the 2010s saw more people get into tech and gadgets than at any time in history...smart phones, the explosion of social media, cord-cutting... Which brings us to music...when we look back on that decade, what happened?...what did we learn?...and how were trends and styles and consumption different than earlier decades?... Let’s find out...this is the history of the 2010s, part 1... Learn more about your ad choices. Visit megaphone.fm/adchoices
The Book of World Records Version 1.0 - Part 2
Aug 23 2023
The Book of World Records Version 1.0 - Part 2
This week we go back into the Ongoing history vault from 2008 and the second of two parts on world records. Most people want to leave this earth being known for... something. We want it to be at least a little memorable... to some, so that our time on this planet won't be forgotten so quickly. It's that whole sense of self my soul has self-esteem issues thing that we're all born with. Maybe you want to be known for being kind to animals. Maybe you're good at math, and you want people to remember your gift for solving difficult differential equations. Or maybe you want to be known as the only man who has ever eaten an airplane. You heard me. Michelle Lottito is also known as Massio Monge-tut, which translates as Mr. Eat Everything. He's the world record holder of the largest meal ever eaten. In this case, it's a Cessna 150. This is an airplane, and has a wingspan at just over 33 feet and weighs about 1100 pounds. It can carry two people at a maximum altitude of 14,000 feet for just over 400 miles, and this dude ate one. Apparently, he has a stomach lining that's twice as thick as it should be, which allows him to digest things like nuts and bolts and sheet metal and chain. Wonder what kind of wine goes with the prop assembly. Anyway, Michelle Lottito will be forever known as the guy who ate an airplane. A meal that size is a world record. Which is another thing that got me thinking. What are some of the superlatives and some of the weirdness that comes from the world of New Rock and alternative music when it comes to stuff like this? So I started looking, and I found out a lot. This is the Ongoing History of New Music Book of World Records, part two. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Book of World Records Version 1.0 - Part 1
Aug 16 2023
The Book of World Records Version 1.0 - Part 1
This week we go back into the Ongoing history vault from 2008 and the first of two parts on world records. Chances are you have at least some kind of talent. Maybe it's not something very useful, but at least it's something that you can do that no one else can. My mom used to say that everyone is good at something or at the very least, known for something that no one else is.  For example, I grew up with a kid who could dislocate his thumbs at will. It was great for freaking out substitute teachers. He got to go home early a lot. Another kid could pop a wheelie on his bike and ride it all the way home like that, and he'd live more than a mile from the school. Sometime in the 1970s, though, the world discovered the Guinness Book of World Records. And that's when we realized that there were things out there much stranger than we could ever realize. Like the dude from India whose fingernails had a combined length of over 20ft. Or Elaine Davidson, the world's most pierced woman; 720 piercings, including dozens in her face. Another dude from Scotland has tattoos over 99.9% of his body, making him the world's most tattooed man. Then, in the summer of 2008, Sandy Allen died. She was the world's tallest woman. At 7ft seven inches, she lived in the same Indiana nursing home as Edna Parker, who died year earlier at the age of 115. And up until then; she had been the world's oldest woman. Now, this kind of got me thinking. Has anyone ever put together a list of world records for the world of new rock? A list of all the superlatives, the biggest, the shortest, the highest, the longest, the most expensive, all those things? And I couldn't find one. So I thought to myself, hey, there's a gap in the market. There’s got to be enough genuine and morbid curiosity out there to make it worthwhile. And who knows? Maybe a project like this might inspire someone to-do something great, or at least something weird. Which, of course, would be good, too. Therefore, ladies and gentlemen, I give you…The Ongoing History of New Music “Book of World Records version 1.0” part one. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tracking Down Demos
Aug 9 2023
Tracking Down Demos
If you're a fan of a particular artist, you want as much as you can get from that artist, you know, the albums, the singles, the t-shirts, all the downloads and all the swag and that's great when your favourite group releases an album. But with some bands going 234 or even more years between records, things get kind of dry. Now in the olden days, that was too bad distribution systems being what they were access to everything a band did was pretty much impossible. The access was tightly, tightly controlled, but the best you could hope for was for one of those rare elusive and highly legal bootleg records, unauthorized recordings issued by some shadowy label without the permission of the artist. Mostly these bootleg recordings featured live performances. After all, they were the easiest to make, but some contained stuff in the vaults that was never ever designed to be heard by anyone outside of the band's inner circle.  Heck, some of this material wasn't even heard by the executives of the group's record label for years. We had this cat and mouse game between the labels and the artists and the bootleggers and hard core fans were right in the middle, waiting, hoping and praying that they could somehow get their hands on this stuff. Bootleggers moved offshore to places like Italy, Singapore and Indonesia where copyright laws were, uh shall we say a little looser? One of the great bootleg labels was called KTS. They were renowned for two things,  super high quality live recordings that they got from somewhere and a wide selection of studio recordings that were never ever supposed to be released. I have a bunch of KTS releases and they are very, very good. Then along came the internet and the bootleg CD industry suddenly dried up pretty much overnight. Why bother putting out something that you had to manufacture in a Backstreet factory in China when you could just put it all online. Meanwhile, a strange thing happened with performers and managers instead of being all freaked out about this unfinished or unapproved stuff getting released into the wild by someone else, they started doing it themselves. I mean, why not use this material to forge a deeper relationship with their best customers, their biggest fans. The result has been an explosion of interesting material from some very big bands. And here's how you can track down some of it for yourself. Learn more about your ad choices. Visit megaphone.fm/adchoices
100 Weirdest Things in Alt-Rock: Part 4
Jun 21 2023
100 Weirdest Things in Alt-Rock: Part 4
From the outside, being in a famous touring rock band seems like a glamourous thing...you travel the world, playing for thousands of adoring fans night after night with your gang of buddies... Oh, the gloriousness of it all...the private jets!...the media exposure!...the excitement!...the perks!...the sites!...the sex!...the drugs!...your every whim catered to by people whose job is to, well, cater to your every whim... And that really is the reality–for maybe the top 1/10 of one per cent of groups in the world...for other 99.9%, going on the road is a trying ordeal that can get pretty uncomfortable real fast... I mean, think about it...for the entire time you’re on tour, you’re living in a bubble, going where you’re told to go, doing what you’re told to do and living out of suitcases for months on end... You can wake up in the van or the bus one morning after the gig and quite literally have no idea what country you’re in, let alone what city... Then there’s the bad food, the interviews with the same stupid questions all the time, annoying fans, the late nights, too much alcohol, too many drugs and not enough sleep... The only thing that makes it all worthwhile is the fact you get to play every night...but even that gets old after a while...all you want to do is go home, do the laundry and finally be left alone for a while... With that kind of working environment, life on the road can get pretty weird...how weird?...let us count the ways... Learn more about your ad choices. Visit megaphone.fm/adchoices