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2Prélude à l'après-midi d'un faune, L. 86 (Bars 1-5)
For the 20th-Century Composer and Conductor Pierre Boulez
Children's Corner, L. 113: VI. Golliwogg's Cake-Walk (Excerpt)
That Was an Extract from Debussy's Six-Movement Piano Suite
Nuit d'étoiles, L. 4 (Excerpt)
The Extent to Which Debussy's Love Affair with Mme Vasnier
L'enfant prodigue, L. 57: IV. Cortège et air de danse (Excerpt)
Though He Had Gained the Highest Honours for "The Prodigal Son"
Printemps, L. 61: II. Modéré (1912 Version) [Orch. H. Büsser] [Excerpt]
Back in Paris, Debussy's Relationship with Mme Vasnier Gradually Fizzled Out
5 Poèmes de Baudelaire, L. 64: No. 2, Harmonie du soir (Excerpt)
If His Old Musical Comrades Seem to Have Deserted Him
Prélude à l'après-midi d'un faune, L. 86 (Bars 51-64)
"Faune" Was First Performed, with Debussy at the Piano
String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé (Excerpt)
During This Time, Debussy Was Also Busy Composing Two Large-Scale Works
Nocturnes, L. 91: No. 3, Sirènes (Excerpt)
Debussy's "Nocturnes" Received Both Warm Applause and Frosty Criticism
Pelléas et Mélisande, L. 88: Une forèt (Excerpt)
That Was an Extract from the Beginning of Debussy's First and Only Completed Opera
Danse sacrée et danse profane, L. 103: No. 2, Danse profane (Version for Harp & Solo Strings) [Excerpt]
It Was Also During This Post-"Pelléas" Period That Debussy Was Decorated
Images, Book 1, L. 110: No. 1, Reflets dans l'eau (Excerpt)
Also About Water Is the Third Movement
Images, Book 2, L. 111: No. 3, Poissons d'or (Excerpt)
A New Period of Debussy's Life Was Soon to Begin
Images pour orchestre, L. 122, No. 2, Ibéria: I. Par les rues et les chemins (Excerpt)
In 1909 a Group of Artists and Musicians from Russia Arrived
Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works
In 1914, Having Returned to Paris
12 Études, L. 136, Book 2: No. 3, Pour les quartes (Excerpt)
In 1915, Debussy Once Again Departed Paris
Préludes, Book 2, L. 123: No. 10, Canope (Excerpt)
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