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Prologues & Inductions: La Montagnura (Gasparo Zanetti arr. Lyons)
Prologues & Inductions: "Speak Gentlemen, What Shall We Do Today?" (Various texts 1599-1626)
Prologues & Inductions: Fanfare (Arr. Lyons after Cesare Bendinelli)
Act One: Hackney (Clement Woodcock)
Act One: "If Music Be The Food Of Love, Play On" & "The Funerals" & "Enough, No More" (Orsino in Twelfth Night I.1)
Act One: Chromatic Galiard (Thomas Simpson)
Act One: "Is She That Marchants Wife?" (West 1608)
Act One: King Richard's Flourish (Arr. Lyons after Cesare Bendinelli)
Act One: "When He Doth Hold Conference Upon The Stage" (Cocke 1615)
Act Two: "England, Bound In The Triumphant Seas" & Robin Is To The Greenwood Gone (John of Gaunt in Richard II, II.1; anon. arr. Lyons)
Act Two: Galliard 12 (Holborne)
Act Two: Torch Pavan (Passe Et Medio / La Venissienne) (Susato / Gervaise c.1550 arr. Lyons)
Act Two: "But Soft! What Light" & Romeo In Love (Lull Me Beyond Thee) (Romeo in Romeo and Juliet, II.2; Playford 1651 arr. Lyons)
Act Two: Piva (Joan Amrosio Dalza c.1508 arr. Lyons)
Act Two: "Sit In A Full Theater, And You Will Thinke" (Anon, poss. Webster 1615)
Act Two: "When Let But Falstaffe Come" (Digges 1623)
Act Two: "Give Me Some Music" & My Earl Of Essex's Galliard (Orsino in Twelfth Night II.4; Dowland)
Act Three: New-Yeeres Gift (Holborne)
Act Three: Don Pedro's Mask (Paduana Del Re) (Anon, Italy 16c)
Act Three: Hero's Music (Sonata Duodecima S. La Bergamasca) (Salamone Rossi 1642)
Act Three: "A Play Is Like A Sinke In A Towne" (Crosse 1603)
Act Three: Fortune My Foe (Anon arr. Lyons)
Act Three: "For Within The Hollow Crown" (King Richard in Richard II, III.2)
Act Three: Patiencia (Holborne)
Act Three: Drums, Flourish, Colours (Arr. Lyons after Cesare Bendinelli)
Act Three: "We Are Amazed" (King Richard in Richard II, III.2)
Act Three: Muy Linda (Holborne)
Act Four: "The Quick Eares Of" (Jonson 1609)
Act Four: Hey, Robin (William Cornish)
Act Four: Heart's-Ease (Anon arr. Takeuchi)
Entr'Acte: The God Of Love (Gentil Madonna) (Anon Italy 16c)
Act Five: Pardon Goddess (Adoramus Te Senor) (Francisco de la Torre arr. Lyons)
Act Five: "Oft Have I Seene Him, Leap Into The Grave" (Funeral Elegy for Richard Baubage 1619)
Act Five: Belle Qui Tiens Ma Vie (Arr. Lyons after Thoinot Arbeau)
Act Five: "I Have Been Studying How I May Compare" (King Richard in Richard II, V.5)
Act Five: On The Cold Ground (Arr. Lyons after Playford)
Act Five: "That Hand Shall Burn" (King Richard in Richard II, V.5)
Act Five: Mille Regretz (Tilman Susato)
Act Five: Battle Jig (Pavane De La Bataille) (Arr. Lyons after Susato)
Epilogue: "The World's A Theatre" (Francis Quarles 1630)
Vecchie Letrose (Adrian Willaert Venice 1545)
Lavolto (Arr. McGowan after Morley)
Sharpe Pavan (Ferrabosco II)
Bonny Sweet Robin (McGowan)
Ballo Francese & Schiarazula Marazula (Giorgio Mainerio 1578 arr. Lyons)
Ungerische und auch Bauern Danntz / Ein feines Täntzlein (Arr. McGowan after Augsburg / Linz)
A Pollish Vilanell (Tobias Hume)
Fandango (After Santiago de Murcia)
Bransle de la torche (Michael Praetorius 1612)
Ladie lie neer mee / Bobbing Joe / Stingo (After Weymss Lute Book; Playford; Playford)
Chorea Polonica No. 4 / Alia Hungarica Chorea No. 32 (Arr. McGowan after Vietorius Codex)
The Cushion Dance (Arr. McGowan after Playford)
Mariana's Song / Take, O Take Those Lips Away (Arr. van Kampen / McGowan after Vietorius Codex)
Jota-Tarantella (After Santiago de Murcia)
Tant que vivray (After Claudin de Sermisy)
Lachrimae Pavin (Arr. Morley after Dowland)
The Batchelars Delight (Richard Allison)
Loves Farewell (Tobias Hume)
My Lord Of Oxenfords Maske (Arr. Morley after Byrd)
Vilian de Spagna (Hieronymus Kapsberger c.1640)
Pavan Dolorosa (Peter Philips)
Galliard Dolorosa (Philips)
El tu tu (Anon 16c arr. Lyons)
Mount On Horseback / The Scot's March (After Rogers's Virginals Book)
Lachrymae Pavaen (Johann Schop after Dowland)
Mount On Horseback / Prince Rupert's March (After Rogers's Virginals Book)
"St. George For England" & The Battle Of Boroughbridge (King Edward in Edward II, III.3; arr. McGowan after Byrd)
In The Midst Of Life We Are In Death (After Merbecke)
"So, Bring Us Peace" & Final Jig & Playout (The Duke in Measure for Measure, V.1)
(C) 2006 Signum Records
